Sessions in which Guan Wang participates
1:30 PM
1:30 PM
- 1- New Chinese Popular Folk Music: Appropriation or New Opportunities? - Guan Wang, University of Alberta
- Participant Guan Wang (University of Alberta) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 5 - Folk and Traditional Musics in New Contexts
- Contemporary Chinese popular music can be divided into three categories in terms of cultural-musical styles: Western-style popular music...
Sessions in which Guan Wang attends
9:00 AM
9:00 AM
- Keynote speaker - From Reproach to Rapprochement? The Past’s Changing Presence in Bahian Music - Jeff Packman, University of Toronto Université du Québec à Montréal (UQAM) - DS-R510
- 9:00 AM - 10:00 AM | 1 hour
- [ CHAIR: Susan Fast, McMaster University & Jonathan Dueck, Canadian Mennonite University ]History is very present in Salvad...
10:30 AM
10:30 AM
- 4- Selling the “Orient”: A Critique of “Arab”-influenced UDM in Toronto and Montreal - Jillian Fulton, York University
- Participant Jillian Fulton (York University ) |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 1 - Cities and Scenes
- Migrants from the Arab world in Canadian diaspora collectives are challenging normative identity politics through their Underground Dance Mus...
- Panel 1 - Cities and Scenes Université du Québec à Montréal (UQAM) - DS-1520
- 10:30 AM - 12:30 PM | 2 hours
- 3- Fandom and subcultural capital: The case of mass-streaming amongst a community of K-pop fans - Charlotte Bonneau-Crépin, Université Laval
- Participant Charlotte Bonneau-Crépin (Université Laval) |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 1 - Streaming & Platforms
- Le contexte de convergence médiatique (Jenkins, 2007) dans lequel nous nous trouvons présentement donne lieu à un bon nombre de nouvelle...
- 2- From “Broadcast Yourself” to “Broadcast somebody else’s music”: YouTube and microdiffusion practices - Sylvain Martet, CRICIS, UQAM - Martin Têtu, LATICCE-UQAM
- Participant Sylvain Martet (UQAM - CRICIS) |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 1 - Streaming & Platforms
- L’écoute de musique via YouTube représente 46% de l’ensemble de l’écoute de musique en ligne (Ifpi, 2017). Or, la majeure partie de la musique écou...
- 1- Chill and Serve: Spotify Playlists and the "Will to Nothingness" - T. Andrew Braun, University of Western Ontario
- Participant Andrew Braun (Western University) |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 1 - Streaming & Platforms
- Eighty-three million individual music consumers pay Spotify’s monthly $9.99 subscription fee and “choose freely” from 30+ million songs....
- Panel 1 - Streaming & Platforms Université du Québec à Montréal (UQAM) - DS-1545
- 10:30 AM - 12:30 PM | 2 hours
1:30 PM
1:30 PM
- 2- Popular Music Without Ownership: The Status of the Commodity in 21st Century Musical Culture - Paul Théberge, Carleton University
- Participant Paul Théberge (Carleton University) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Music Commodification & Mediation in the 21st Century
- Throughout the 20th century, popular music culture was intimately tied to commodities in one form or another: indeed, popular...
- 3- On Wagner, Disney, Canada, Basketball, Hip Hop, Becoming, and Drake - Jordan Zalis, Memorial University
- Participant Jordan William Zalis (Memorial University) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Hip Hop & the Politics of “Becoming”
- Hip hop and basketball are entangled, associated, and imbued with a sense of urban currency. In Canada, this is exemplified in the “This That...
- Panel 2 - Music Commodification & Mediation in the 21st Century Université du Québec à Montréal (UQAM) - DS-1545
- 1:30 PM - 3:30 PM | 2 hours
- Panel 2 - Hip Hop & the Politics of “Becoming” Université du Québec à Montréal (UQAM) - DS-1520
- 1:30 PM - 3:30 PM | 2 hours
4:00 PM
4:00 PM
- 1- (Re)sounding Martyrdom: Musical Representations of Iranian Baha’i Persecution - Daniel Akira Stadnicki, University of Alberta
- Participant Daniel Akira Stadnicki (University of Alberta) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 3 - Intersections of Private and Public, Sacred and Secular, Mainstreamness and Distinctiveness
- This paper will explore how Baha’i musicians—or, “Baha’i-engendered" artists (Tuman 1993)—sonically-represent Iranian religious persecution, ...
- 2- By Any Other Name? North American Progressive Rock, Fusion, and Stylistic Genealogies - Chris McDonald, Cape Breton University
- Participant Chris McDonald (Cape Breton University) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 3 - Prog-Rock & Progressive Metal
- As a musical and historical formation, progressive rock has received a fair bit of critical academic attention (see Moore 1993; Macan 1997; M...
- 2- Cyborg Music: Gender, Technology, and Film Music - Joel Sutherland, University of Toronto
- Participant Joel Sutherland (University of Chicago) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 3 - Music, Technology and Social Media
- Suzanne Ciani’s score for the 1981 film The Incredible Shrinking Woman(Joel Schumacher, USA) marks a critical, and undiscussed, piec...
- Panel 3 - Intersections of Private and Public, Sacred and Secular, Mainstreamness and Distinctiveness Université du Québec à Montréal (UQAM) - DS-1525
- 4:00 PM - 6:00 PM | 2 hours
- Panel 3 - Music, Technology and Social Media Université du Québec à Montréal (UQAM) - DS-1540
- 4:00 PM - 6:00 PM | 2 hours
7:30 PM
7:30 PM
- IASPM/CSTM - Student Dinner Gingko Café & Bar - -
- 7:30 PM - 9:30 PM | 2 hours
10:30 AM
10:30 AM
- 3- Teaching Popular Music in Primary School: A narrative and discussion - Pascal Bujold, Commission scolaire Marie-Victorin
- Participant Pascal Bujold (CSMV) |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Popular Music & Pedagogy
- I have set up my own Popular Music program for the primary school where I teach. I teach the ukulele from grade 1 to 6 and guitar from grade 4 t...
- Panel 4 - Roundtable - Tell Me a Story: Storytelling and Narrative in Public Spaces - Meghan Forsyth, Memorial U. - Judith Klassen, Canadian Museum of History - Michael McDonald, McEwan U. - Heather Sparling, Cape Breton U. Université du Québec à Montréal (UQAM) - DS-1520
- 10:30 AM - 12:30 PM | 2 hours
- [ CHAIR: Meghan Forsyth, Memorial University of Newfoundland ] Ethnomusicologists have long recognized the power...
1:30 PM
1:30 PM
- 2- ‘Folk-Rock’ Music Scene of Kathmandu: The Issues of Transculturation and Youth Identity – Subash Giri, University of Alberta
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 5 - Folk and Traditional Musics in New Contexts
- The major aim of this research is to understand the ‘Folk-Rock’ music scene of Kathmandu, the capital city of Nepal. The research examines ho...
- 1- New Chinese Popular Folk Music: Appropriation or New Opportunities? - Guan Wang, University of Alberta
- Participant Guan Wang (University of Alberta) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 5 - Folk and Traditional Musics in New Contexts
- Contemporary Chinese popular music can be divided into three categories in terms of cultural-musical styles: Western-style popular music...
- 3- Female-Fronted Heavy Metal: Agency, Performativity, and Empowerment - Lori A. Burns, University of Ottawa
- Participant Lori Burns (University of Ottawa) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 5 - Heavy Metal Studies
- In recent years, heavy metal has opened up space for “female-fronted metal,” a domain that is treated as a genre itself, even though the arti...
- Panel 5 - Folk and Traditional Musics in New Contexts Université du Québec à Montréal (UQAM) - DS-R510
- 1:30 PM - 3:30 PM | 2 hours
- Panel 5 - Reconsidering Fandom & Subcultural Capital Université du Québec à Montréal (UQAM) - DS-1545
- 1:30 PM - 3:30 PM | 2 hours
4:00 PM
4:00 PM
- 1- Liberace, Television, and Female Fans: An Exploration in Queer Theory - Jessica Todd, York University
- Participant Jessica Todd (York University ) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Theory and Methodology
- In the fields of popular music and gender studies, much scholarship has been produced that deconstructs the normative gender binary by analyz...
- 4- Loss and Failure in the Canadian Music Industries: 1975 to 1995 - Brian Fauteux, University of Alberta
- Participant brian fauteux (University of Alberta) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - The EMI Music Canada Collection and the Canadian Music Industry
- A prominent narrative is that cultural policy in the form of Canadian Content regulations, introduced in 1971, instigated the promotion (and ...
- Panel 6 - Workshop - What makes an ethnomusicological film? Audiovisual ethnomusicology, cinemusicology, and cine-ethnomusicology in the era of digital cinema - Michael MacDonald, MacEwan University Université du Québec à Montréal (UQAM) - DS-1520
- 4:00 PM - 6:00 PM | 2 hours
- [ CHAIR: Michael MacDonald, MacEwan University ] Screening an ethnographic or documentary film at an ethnomusicol...
9:00 AM
9:00 AM
- 3- “O Iran, O Bejeweled Land!”; the anthem of “Ey Iran”: Singing nationalism, transcending nationhood – Nasim Ahmadian, University of Alberta
- Participant Nasim Ahmadian (University of Alberta) |
- 9:00 AM - 11:00 AM | 2 hours Part of: Panel 7 - Legacies, Pasts, and Presents of the Iranian Revolution
- The dark political climate of Iran in 1944 during the ‘Anglo-Soviet Invasion’ prompted the scholar-poet Hossein Gol-e-Golab and the composer ...