Sandria P. Bouliane

Participates in 2 items

Sessions in which Sandria P. Bouliane participates

Friday 24 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

10:30 AM

3- Vie culturelle et divertissement musical en période estivale dans les années 1930 - Sandria P. Bouliane, Université du Québec à Montréal (UQAM)
Participant Sandria P. Bouliane |
10:30 AM - 12:30 PM | 2 hours Part of: Panel 1 - Cities and Scenes

4:00 PM

Panel 3 - Global Musical Perspectives in the 21st Century

Université du Québec à Montréal (UQAM) - DS-1520

4:00 PM - 6:00 PM | 2 hours

IASPM

Sessions in which Sandria P. Bouliane attends

Friday 24 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

9:00 AM

Keynote speaker - From Reproach to Rapprochement? The Past’s Changing Presence in Bahian Music - Jeff Packman, University of Toronto

Université du Québec à Montréal (UQAM) - DS-R510

9:00 AM - 10:00 AM | 1 hour

Keynote speaker

10:30 AM

3- Vie culturelle et divertissement musical en période estivale dans les années 1930 - Sandria P. Bouliane, Université du Québec à Montréal (UQAM)
Participant Sandria P. Bouliane |
10:30 AM - 12:30 PM | 2 hours Part of: Panel 1 - Cities and Scenes

1:30 PM

1- “We Gon’ Be Alright: Kendrick Lamar, Black Experience and the Politics of Rap” - Maddy Warlow, Carleton University
Participant Maddy Warlow (Carleton University) |
1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Hip Hop & the Politics of “Becoming”

4- “Praise the Lord and Break the Law”: Negotiating the Tensions between Religious Conversion and Commercial Identity in Hip-Hop - Alyssa Woods, University of Guelph - Robert Michael Edwards, University of Ottawa
Participant Alyssa Woods (University of Guelph) | Participant Robert Michael Edwards (University of Ottawa) |
1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Hip Hop & the Politics of “Becoming”

1- Vers un genre intermédial? - Exploration du phénomène d’intermédialité entre la presse musicale et le vidéoclip - Maxim Bonin, Université du Québec à Montréal
Participant Maxim Bonin (UQAM) |
1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Music Commodification & Mediation in the 21st Century

2- Popular Music Without Ownership: The Status of the Commodity in 21st Century Musical Culture - Paul Théberge, Carleton University
Participant Paul Théberge (Carleton University) |
1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Music Commodification & Mediation in the 21st Century

4:00 PM

4- De la restauration à la rétromania : l’influence néfaste du passé chez Adorno et Reynolds - Danick Trottier, Université du Québec à Montréal (UQAM)
Participant Danick Trottier (UQAM) |
4:00 PM - 6:00 PM | 2 hours Part of: Panel 3 - Global Musical Perspectives in the 21st Century

Panel 3 - Workshop - Parodies in Work Songs: Hold the Fort - Leo Feinstein, Independent Scholar/Practitioner

Université du Québec à Montréal (UQAM) - DS-R510

4:00 PM - 6:00 PM | 2 hours

CSTM

Panel 3 - Global Musical Perspectives in the 21st Century

Université du Québec à Montréal (UQAM) - DS-1520

4:00 PM - 6:00 PM | 2 hours

IASPM

6:00 PM

Opening reception

Gingko Café & Bar - -

6:00 PM - 10:00 PM | 4 hours

Social event

Saturday 25 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

9:00 AM

Keynote speaker - De la recherche à la recherche-création: un parcours semé de projets en collaboration - Sophie Stévance, Université Laval

Université du Québec à Montréal (UQAM) - DS-R510

9:00 AM - 10:00 AM | 1 hour

Keynote speaker

10:30 AM

2- Unsounded Sensualities: Heightened Experience and the Phenomenology of Song – Harris Berger, Memorial University of Newfoundland
Participant Harris Berger (Memorial University of Newfoundland) |
10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Phenomenological Approaches to the Study of Music

1- “Where you are Accepted, you Blossom:” Care Ethics in Jazz Pedagogies - Vanessa Blais-Tremblay, McGill University
Participant Vanessa Blais-Tremblay (CRILCQ) |
10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Popular Music & Pedagogy

2- Success and Struggle in Undergraduate Popular Music Studies - Kyle Tang, Western University
Participant Kyle Tang (Western University) |
10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Popular Music & Pedagogy

1- « Miroir, miroir, dis-moi si j’existe! » Analyse de la co-création d’une chanson avec des adolescents québécois - Sarah-Anne Arsenault, Université Laval
10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Issues in Research-Creation

2- Notre-Dame de Paris, du roman à la comédie musicale : analyse de l’adaptation - Ariane Ménard, Université Laval
Participant Ariane Ménard (Université Laval) |
10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Issues in Research-Creation

12:30 PM

IASPM - AGM

Université du Québec à Montréal (UQAM) - DS-R510

12:30 PM - 1:30 PM | 1 hour

IASPM

1:30 PM

3- Female-Fronted Heavy Metal: Agency, Performativity, and Empowerment - Lori A. Burns, University of Ottawa
Participant Lori Burns (University of Ottawa) |
1:30 PM - 3:30 PM | 2 hours Part of: Panel 5 - Heavy Metal Studies

4- « Enfant du lys, souviens-toi » Analyse des caractéristiques phonographiques et paraphonographiques du récit nationaliste de la scène de métal noir québécois - Méi-Ra St-Laurent, Université Laval
Participant Méi-Ra St-Laurent (Université Laval) |
1:30 PM - 3:30 PM | 2 hours Part of: Panel 5 - Heavy Metal Studies

Panel 5 - Roundtable - Researcher's identity as variable in research context - Roxane Campeau, U. de Montréal - Marie-Christine Parent, U. de Montréal/U. Nice Sophia Antipolis - Frédéric Léotar, U. de Montréal

Université du Québec à Montréal (UQAM) - DS-1525

1:30 PM - 3:30 PM | 2 hours

CSTM

Panel 5 - Roundtable - Rethinking priorities in post-secondary music curricula today: decolonizing, “Indigenizing” and visions for the future - Anna Hoefnagels - Heidi Aklaseaq Senungetuk - Gillian Turnbull - Margaret Walker - Louise Wrazen

Université du Québec à Montréal (UQAM) - DS-1540

1:30 PM - 3:30 PM | 2 hours

CSTM

4:00 PM

1- Untypical Girls: Gender, Age, and Punk - Norma Coates, Western University
4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Punk, Gender and Identity

4- Loss and Failure in the Canadian Music Industries: 1975 to 1995 - Brian Fauteux, University of Alberta
Participant brian fauteux (University of Alberta) |
4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - The EMI Music Canada Collection and the Canadian Music Industry

2- Vocal Performance and Narrative in To Pimp a Butterfly (2015) - Jacqueline Fortier, Université Laval
Participant Jacqueline Fortier (Université Laval) |
4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Approaching Vocals & Vocality

1- They Did It for Love: Charity, Disability, and Show Biz in 1950s Britain - Christina Baade, McMaster University
Participant Christina Baade (McMaster University) |
4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Music Practices and Identities of Past, Present and Future

2- Politics of Legitimacy Through Popular Song - Nil Basdurak, University of Toronto
Participant Nil Basdurak (University of Toronto) |
4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Music Practices and Identities of Past, Present and Future

2- De la Walpurgisnacht aux festivals punk-féministes : musique, militantisme et transferts culturels - Louise Barrière, Université de Lorraine
Participant Louise Barrière (Université de Lorraine) |
4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Punk, Gender and Identity

3- Urging Intersectionality, Avoiding Solidarity: Reading the Legacy of Riot Grrrl and Race - Karen Mize Berglander, Memorial University of Newfoundland
Participant Karen Berglander (Memorial University of Newfoundland) |
4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Punk, Gender and Identity

6:00 PM

Guided tour "Montréal in jazz"
6:00 PM - 8:00 PM | 2 hours

Sunday 26 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

9:00 AM

3- From 16 beat to 16 bits: a case of hypertextual dialogue in vintage videogame music - Guillermo T. S. Caceres, Université Laval
Participant Guillermo Caceres (Université Laval) |
9:00 AM - 11:00 AM | 2 hours Part of: Panel 7 - New Lives for Throwback Technology

3- La culture country et la perpétuation de l’effacement des femmes: Les méthodes de Billboard et la diversité sur la liste de classement « Hot Country Songs » – Jada Watson, Université d’Ottawa
Participant Jada Watson (University of Ottawa) |
9:00 AM - 11:00 AM | 2 hours Part of: Panel 7 - Commercial Processes and Local Effects

11:30 AM

4- From Underground to Mainstream Culture: Addressing Problems Related to Drag Music in Today’s Music Industry - Jérémi Gendron, Université Laval
11:30 AM - 1:30 PM | 2 hours Part of: Panel 8 - Queer Aesthetics

2- Demoting the Diva: Law, Value, and the Proletarianization of Professional Singing in Nineteenth Century UK & US - Matt Stahl, University of Western Ontario
11:30 AM - 1:30 PM | 2 hours Part of: Panel 8 - Music & Creative Labour/Work

1- Literary Legacies: Le mouvement régionaliste and French-Canadian Folklore in Early Twentieth-Century Quebec – Laura Risk, Université de Montréal
Participant Laura Risk (Université de Montréal) |
11:30 AM - 1:30 PM | 2 hours Part of: Panel 8 - The Pasts and Paths of Musical Heritage