Vanessa Blais-Tremblay

postdoctoral fellow

CRILCQ

Participates in 1 Session

VANESSA BLAIS-TREMBLAY is a musicologist and a women’s studies scholar. She is a current postdoctoral fellow at CRILCQ (FRQSC), and has worked as lecturer at the Institute for Gender, Sexuality, and Feminist Studies and at the Schulich School of Music @ McGill University. She is also a professional violinist and improvisor.

Sessions in which Vanessa Blais-Tremblay participates

Saturday 25 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

10:30 AM

1- “Where you are Accepted, you Blossom:” Care Ethics in Jazz Pedagogies - Vanessa Blais-Tremblay, McGill University

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 4 - Popular Music & Pedagogy

Vanessa Blais-Tremblay, CRILCQ (Participant)

In this paper, I build on recent feminist scholarship on care-work and I focus on important figures in Montreal's jazz scene such as piano teacher ...

Sessions in which Vanessa Blais-Tremblay attends

Friday 24 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

10:30 AM

3- Vie culturelle et divertissement musical en période estivale dans les années 1930 - Sandria P. Bouliane, Université du Québec à Montréal (UQAM)

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 1 - Cities and Scenes

Sandria P. Bouliane (Participant)

À la sortie de la Première Guerre mondiale, Montréal est reconnue pour son offre en divertissement musical varié. Dans les années 1920, ...

1:30 PM

1- Collaborative and Participatory Arts-Based Video Research with Young Arsi Women in Ethiopia - Leila Qashu, McGill University & Concordia University

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 2 - Improvisation, Creativity, and Collaboration

Leila Qashu, McGill University & Concordia University (Participant)

During over 15 years of living and researching in Arsi Oromo communities in Ethiopia, young female informants have shown me many examples of ...

3- Klang-Opus à la fin du crépuscule: Improvising Place and Space in the Cape Spear Project - Ellen Waterman, Carleton University

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 2 - Improvisation, Creativity, and Collaboration

Ellen Waterman, Carleton University (Participant)

When Delf Maria Hohmann was asked to design a sonic event for the 2018 Sound Symposium—a festival of experimental music and sound in St. John...

4:00 PM

4- De la restauration à la rétromania : l’influence néfaste du passé chez Adorno et Reynolds - Danick Trottier, Université du Québec à Montréal (UQAM)

2 hours, 4:00 PM - 6:00 PM

Part of: Panel 3 - Global Musical Perspectives in the 21st Century

Danick Trottier, UQAM (Participant)

En 2010, l'influent critique Simon Reynolds fait paraître Retromania. Pop’s Culture Addiction to its Own Past, livre dans lequel il s’atta...

6:00 PM

Opening reception

4 hours, 6:00 PM - 10:00 PM

Gingko Café & Bar - -

8:00 PM

Open mic/jam session with Labo-Trad

2 hours, 8:00 PM - 10:00 PM

La Petite Marche - Labo-Trad

Saturday 25 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

9:00 AM

Keynote speaker - De la recherche à la recherche-création: un parcours semé de projets en collaboration - Sophie Stévance, Université Laval

1 hour, 9:00 AM - 10:00 AM

Université du Québec à Montréal (UQAM) - DS-R510

Sophie Stévance, Université Laval (Participant)

Line Grenier, Université de Montréal (Moderator)

Martin Lussier, UQAM (Moderator)

[ CHAIR: Line Grenier, Université de Montréal & Martin Lussier, UQAM ]Dans cette présentation keynote, j'aborderai la notion de ...

10:30 AM

3- Indigenous Protocols and Affects of Meeting – Beverley Diamond, Memorial University of Newfoundland

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 4 - Phenomenological Approaches to the Study of Music

Beverley Diamond, Memorial University (Participant)

Indigenous meetings often begin with protocol: formalized speech, song, and/or dance. If we take seriously what ethnomusicologist Denise Gill...

4:00 PM

Panel 6 - Approaching Vocals & Vocality

2 hours, 4:00 PM - 6:00 PM

Université du Québec à Montréal (UQAM) - DS-R510

Annie Randall, IASPM (Moderator)

Sunday 26 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

9:00 AM

Panel 7 - Aging, Death & Commemoration

2 hours, 9:00 AM - 11:00 AM

Université du Québec à Montréal (UQAM) - DS-R510

Line Grenier, Université de Montréal (Moderator)

1- "All Samples Cleared!": Hip-Hop Sampling Aesthetics and the Legacy of Grand Upright v. Warner - Claire McLeish, McGill University

2 hours, 9:00 AM - 11:00 AM

Part of: Panel 7 - Hustle & Flow: Studies in Hip Hop Aesthetics

Claire McLeish, McGill University (Participant)

In 1991, Gilbert O’Sullivan sued Biz Markie for sampling his song “Alone Again (Naturally),” in Markie’s rap, “Alone Again.” This lawsuit,

3- La culture country et la perpétuation de l’effacement des femmes: Les méthodes de Billboard et la diversité sur la liste de classement « Hot Country Songs » – Jada Watson, Université d’Ottawa

2 hours, 9:00 AM - 11:00 AM

Part of: Panel 7 - Commercial Processes and Local Effects

Jada Watson, University of Ottawa (Participant)

En octobre 2012, Billboard a modifié la méthode pour le classement sur la liste « Hot Country Songs » (HCS). Après avoir unique...

11:30 AM

3- “Who even are you guys anymore?”: Affective Alliances and Tegan and Sara’s Queer Aesthetics - Kiersten van Vliet, McGill University

2 hours, 11:30 AM - 1:30 PM

Part of: Panel 8 - Queer Aesthetics

Kiersten van Vliet, McGill University (Participant)

Over their twenty-year career, Canadian indie band Tegan and Sara have undergone several self-conscious stylistic overhauls. While their...

1- Literary Legacies: Le mouvement régionaliste and French-Canadian Folklore in Early Twentieth-Century Quebec – Laura Risk, Université de Montréal

2 hours, 11:30 AM - 1:30 PM

Part of: Panel 8 - The Pasts and Paths of Musical Heritage

Laura Risk, Université de Montréal (Participant)

This paper historicizes the first commercial performances of traditional music in Quebec, exactly 100 years ago, in the context of conte...