Brittany Greening

Dalhousie University

Participates in 2 items

Sessions in which Brittany Greening participates

Saturday 25 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

4:00 PM

Panel 6 - Music Practices and Identities of Past, Present and Future

2 hours, 4:00 PM - 6:00 PM

Université du Québec à Montréal (UQAM) - DS-1545

Brittany Greening, Dalhousie University (Moderator)

Sunday 26 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

11:30 AM

1- Why Should Patti Smith Write? Can New Memoirs Recontextualize Old Scholarship? - Brittany Greening, Dalhousie University

2 hours, 11:30 AM - 1:30 PM

Part of: Panel 8 - Re-Evaluating Pasts & Futures

Brittany Greening, Dalhousie University (Participant)

Sessions in which Brittany Greening attends

Friday 24 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

10:30 AM

Panel 1 - Cities and Scenes

2 hours, 10:30 AM - 12:30 PM

Université du Québec à Montréal (UQAM) - DS-1520

brian fauteux, University of Alberta (Moderator)

1- “I Put On For My City”: The Atlanta Trap Scene and Conspicuous Consumption in the Music of Gucci Mane and (Young) Jeezy - Dilshan Weerasinghe, Dalhousie University

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 1 - Cities and Scenes

Dilshan Weerasinghe, Dalhousie University (Participant)

2- Back in tha Deck: Screwtapes and Community Building in 1990s Houston Hip-Hop - Brett Wyatt, University of Regina

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 1 - Cities and Scenes

Brett Wyatt, University of Regina (Participant)

3- Vie culturelle et divertissement musical en période estivale dans les années 1930 - Sandria P. Bouliane, Université du Québec à Montréal (UQAM)

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 1 - Cities and Scenes

Sandria P. Bouliane (Participant)

4- Selling the “Orient”: A Critique of “Arab”-influenced UDM in Toronto and Montreal - Jillian Fulton, York University

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 1 - Cities and Scenes

Jillian Fulton, York University (Participant)

12:30 PM

Lunch

1 hour, 12:30 PM - 1:30 PM

1:30 PM

Panel 2 - Making Infrastructures Audible

2 hours, 1:30 PM - 3:30 PM

Université du Québec à Montréal (UQAM) - DS-R520

Will Straw, McGill University (Moderator)

1- The Slow Violence of Music: An Infrastructural History of Sound Reproduction - Kyle Devine, University of Oslo

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 2 - Making Infrastructures Audible

Kyle Devine (Participant)

2- Wires, Waves, and Webs: Media Infrastructures and Electronic Music in Cuba - Alexandrine Boudreault-Fournier, University of Victoria

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 2 - Making Infrastructures Audible

3- Tonewood Ecopolitics: Forests and Guitars in Fiji - Jose Martinez-Reyes, University of Massachusetts, Boston

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 2 - Making Infrastructures Audible

Jose E. Martinez-Reyes, University of Massachusetts Boston (Participant)

4- Fields of Green? Infrastructures and Environmental Consequences of Live Music - Matt Brennan, University of Glasgow

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 2 - Making Infrastructures Audible

Matt Brennan, University of Glasgow (Participant)

3:30 PM

Coffee break

30 minutes, 3:30 PM - 4:00 PM

4:00 PM

2- Cyborg Music: Gender, Technology, and Film Music - Joel Sutherland, University of Toronto

2 hours, 4:00 PM - 6:00 PM

Part of: Panel 3 - Music, Technology and Social Media

Joel Sutherland, University of Chicago (Participant)

3- Electronic music scenes and social network sites: feminine (in)visibility in Brazil and Canada - Beatriz Brandão Polivanov, Universidade Federal Fluminense

2 hours, 4:00 PM - 6:00 PM

Part of: Panel 3 - Music, Technology and Social Media

Beatriz Polivanov, Universidade Federal Fluminense / McGill University (Participant)

1- Cannibalistic, Social Dynamics of Power: We Are All Out at Sea - Emmalia Bortolon-Vettor, University of Guelph

2 hours, 4:00 PM - 6:00 PM

Part of: Panel 3 - Music, Technology and Social Media

Emmalia Bortolon-Vettor, University of Guelph (Participant)

Panel 3 - Music, Technology and Social Media

2 hours, 4:00 PM - 6:00 PM

Université du Québec à Montréal (UQAM) - DS-1540

Steven Baur, Dalhousie University (Moderator)

6:00 PM

Opening reception

4 hours, 6:00 PM - 10:00 PM

Gingko Café & Bar - -

7:30 PM

IASPM/CSTM - Student Dinner

2 hours, 7:30 PM - 9:30 PM

Gingko Café & Bar - -

Saturday 25 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

10:30 AM

1- 21st Century Girl: Why Taylor Swift Matters - Gina Arnold, University of San Francisco

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 4 - On Popular Music and Feminist Futures: Swag, Posture and Battle Raps

2- Feminist Performance, Aesthetic Expectation and Fandom in Battle Rap - Sean Robertson-Palmer, York University

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 4 - On Popular Music and Feminist Futures: Swag, Posture and Battle Raps

Sean Robertson-Palmer, York University (Participant)

3- On Taylor Swift’s Posturing and Hip Hop Aesthetics in the Reputation Tour of 2018 - Mary Fogarty, York University

2 hours, 10:30 AM - 12:30 PM

Part of: Panel 4 - On Popular Music and Feminist Futures: Swag, Posture and Battle Raps

Mary Fogarty Woehrel, York University (Participant)

Panel 4 - On Popular Music and Feminist Futures: Swag, Posture and Battle Raps

2 hours, 10:30 AM - 12:30 PM

Université du Québec à Montréal (UQAM) - DS-1540

melissa avdeeff, Coventry University (Moderator)

12:30 PM

IASPM - AGM

1 hour, 12:30 PM - 1:30 PM

Université du Québec à Montréal (UQAM) - DS-R510

Lunch

1 hour, 12:30 PM - 1:30 PM

1:30 PM

1- Unlimited Semiosis: An Unending Chain of Associations in Extreme Metal - Eric Smialek, McGill University

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 5 - Heavy Metal Studies

Eric Smialek, McGill University (Participant)

2- Authenticities Revisited: Locating Nümetal in Heavy Metal Music History - Clare King, Western University

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 5 - Heavy Metal Studies

Clare King, Western University (Participant)

3- Female-Fronted Heavy Metal: Agency, Performativity, and Empowerment - Lori A. Burns, University of Ottawa

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 5 - Heavy Metal Studies

Lori Burns, University of Ottawa (Participant)

4- « Enfant du lys, souviens-toi » Analyse des caractéristiques phonographiques et paraphonographiques du récit nationaliste de la scène de métal noir québécois - Méi-Ra St-Laurent, Université Laval

2 hours, 1:30 PM - 3:30 PM

Part of: Panel 5 - Heavy Metal Studies

Méi-Ra St-Laurent, Université Laval (Participant)

Panel 5 - Heavy Metal Studies

2 hours, 1:30 PM - 3:30 PM

Université du Québec à Montréal (UQAM) - DS-1520

3:30 PM

Coffee break

30 minutes, 3:30 PM - 4:00 PM

4:00 PM

2- Politics of Legitimacy Through Popular Song - Nil Basdurak, University of Toronto

2 hours, 4:00 PM - 6:00 PM

Part of: Panel 6 - Music Practices and Identities of Past, Present and Future

Nil Basdurak, University of Toronto (Participant)

1- They Did It for Love: Charity, Disability, and Show Biz in 1950s Britain - Christina Baade, McMaster University

2 hours, 4:00 PM - 6:00 PM

Part of: Panel 6 - Music Practices and Identities of Past, Present and Future

Christina Baade, McMaster University (Participant)

3- Deep Secrets of the Earth: Scoring the Anthropocene in Horizon: Zero Dawn - Joel Oliver-Cormier, Independent Scholar

2 hours, 4:00 PM - 6:00 PM

Part of: Panel 6 - Music Practices and Identities of Past, Present and Future

Joel Oliver-Cormier, Independent (Participant)

Sunday 26 May, 2019

Time Zone: (GMT-05:00) Eastern Time (US & Canada)

9:00 AM

1- "All Samples Cleared!": Hip-Hop Sampling Aesthetics and the Legacy of Grand Upright v. Warner - Claire McLeish, McGill University

2 hours, 9:00 AM - 11:00 AM

Part of: Panel 7 - Hustle & Flow: Studies in Hip Hop Aesthetics

Claire McLeish, McGill University (Participant)

2- Popularity and musical applications of triplet flow in rap music - Timothy Roth, University of Manitoba

2 hours, 9:00 AM - 11:00 AM

Part of: Panel 7 - Hustle & Flow: Studies in Hip Hop Aesthetics

Timothy Roth, University of Manitoba (Participant)

3- Segmentation and Phrasing in Hip-Hop Flow - Ben Duinker, McGill University

2 hours, 9:00 AM - 11:00 AM

Part of: Panel 7 - Hustle & Flow: Studies in Hip Hop Aesthetics

ben duinker, McGill University (Participant)

Panel 7 - Hustle & Flow: Studies in Hip Hop Aesthetics

2 hours, 9:00 AM - 11:00 AM

Université du Québec à Montréal (UQAM) - DS-R520

Steven Baur, Dalhousie University (Moderator)

11:30 AM

1- Why Should Patti Smith Write? Can New Memoirs Recontextualize Old Scholarship? - Brittany Greening, Dalhousie University

2 hours, 11:30 AM - 1:30 PM

Part of: Panel 8 - Re-Evaluating Pasts & Futures

Brittany Greening, Dalhousie University (Participant)

2- Locating Musical Heritage: Animating community music heritage in the postcolonial village - Heather Horak, Carleton University

2 hours, 11:30 AM - 1:30 PM

Part of: Panel 8 - Re-Evaluating Pasts & Futures

3- The Greatest Rock and Soul Band in the World? Re-evaluating The Rolling Stones - Lee Marshall, University of Bristol

2 hours, 11:30 AM - 1:30 PM

Part of: Panel 8 - Re-Evaluating Pasts & Futures

Lee Marshall, University of Bristol (Participant)

Panel 8 - Re-Evaluating Pasts & Futures

2 hours, 11:30 AM - 1:30 PM

Université du Québec à Montréal (UQAM) - DS-1545

Jada Watson, University of Ottawa (Moderator)

1:30 PM

Closing remarks

1 hour, 1:30 PM - 2:30 PM

Université du Québec à Montréal (UQAM) - DS-R510