Sandria P. Bouliane
Participates in 2 items
Sessions in which Sandria P. Bouliane participates
10:30 AM
10:30 AM
- 3- Vie culturelle et divertissement musical en période estivale dans les années 1930 - Sandria P. Bouliane, Université du Québec à Montréal (UQAM)
- Participant Sandria P. Bouliane |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 1 - Cities and Scenes
- À la sortie de la Première Guerre mondiale, Montréal est reconnue pour son offre en divertissement musical varié. Dans les années 1920, ...
4:00 PM
4:00 PM
- Panel 3 - Global Musical Perspectives in the 21st Century Université du Québec à Montréal (UQAM) - DS-1520
- 4:00 PM - 6:00 PM | 2 hours
Sessions in which Sandria P. Bouliane attends
9:00 AM
9:00 AM
- Keynote speaker - From Reproach to Rapprochement? The Past’s Changing Presence in Bahian Music - Jeff Packman, University of Toronto Université du Québec à Montréal (UQAM) - DS-R510
- 9:00 AM - 10:00 AM | 1 hour
- [ CHAIR: Susan Fast, McMaster University & Jonathan Dueck, Canadian Mennonite University ]History is very present in Salvad...
10:30 AM
10:30 AM
- 3- Vie culturelle et divertissement musical en période estivale dans les années 1930 - Sandria P. Bouliane, Université du Québec à Montréal (UQAM)
- Participant Sandria P. Bouliane |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 1 - Cities and Scenes
- À la sortie de la Première Guerre mondiale, Montréal est reconnue pour son offre en divertissement musical varié. Dans les années 1920, ...
1:30 PM
1:30 PM
- 1- “We Gon’ Be Alright: Kendrick Lamar, Black Experience and the Politics of Rap” - Maddy Warlow, Carleton University
- Participant Maddy Warlow (Carleton University) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Hip Hop & the Politics of “Becoming”
- America’s reflections of me, that’s what a mirror does”, an indicative take on black representation by popular rap artist Kendrick Lamar. The...
- 4- “Praise the Lord and Break the Law”: Negotiating the Tensions between Religious Conversion and Commercial Identity in Hip-Hop - Alyssa Woods, University of Guelph - Robert Michael Edwards, University of Ottawa
- Participant Alyssa Woods (University of Guelph) | Participant Robert Michael Edwards (University of Ottawa) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Hip Hop & the Politics of “Becoming”
- From its foundational point hip-hop has been an important locale for the expression of religious identity. Historically, rap artists hav...
- 1- Vers un genre intermédial? - Exploration du phénomène d’intermédialité entre la presse musicale et le vidéoclip - Maxim Bonin, Université du Québec à Montréal
- Participant Maxim Bonin (UQAM) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Music Commodification & Mediation in the 21st Century
- En 1981, MTV fait son entrée en ondes et le vidéoclip propulse l'image des artistes au premier plan. En décembre 1983, la presse musical...
- 2- Popular Music Without Ownership: The Status of the Commodity in 21st Century Musical Culture - Paul Théberge, Carleton University
- Participant Paul Théberge (Carleton University) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 2 - Music Commodification & Mediation in the 21st Century
- Throughout the 20th century, popular music culture was intimately tied to commodities in one form or another: indeed, popular...
4:00 PM
4:00 PM
- 4- De la restauration à la rétromania : l’influence néfaste du passé chez Adorno et Reynolds - Danick Trottier, Université du Québec à Montréal (UQAM)
- Participant Danick Trottier (UQAM) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 3 - Global Musical Perspectives in the 21st Century
- En 2010, l'influent critique Simon Reynolds fait paraître Retromania. Pop’s Culture Addiction to its Own Past, livre dans lequel il s’atta...
- Panel 3 - Workshop - Parodies in Work Songs: Hold the Fort - Leo Feinstein, Independent Scholar/Practitioner Université du Québec à Montréal (UQAM) - DS-R510
- 4:00 PM - 6:00 PM | 2 hours
- Panel 3 - Global Musical Perspectives in the 21st Century Université du Québec à Montréal (UQAM) - DS-1520
- 4:00 PM - 6:00 PM | 2 hours
6:00 PM
6:00 PM
- Opening reception Gingko Café & Bar - -
- 6:00 PM - 10:00 PM | 4 hours
9:00 AM
9:00 AM
- Keynote speaker - De la recherche à la recherche-création: un parcours semé de projets en collaboration - Sophie Stévance, Université Laval Université du Québec à Montréal (UQAM) - DS-R510
- 9:00 AM - 10:00 AM | 1 hour
- [ CHAIR: Line Grenier, Université de Montréal & Martin Lussier, UQAM ]Dans cette présentation keynote, j'aborderai la notion de ...
10:30 AM
10:30 AM
- 2- Unsounded Sensualities: Heightened Experience and the Phenomenology of Song – Harris Berger, Memorial University of Newfoundland
- Participant Harris Berger (Memorial University of Newfoundland) |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Phenomenological Approaches to the Study of Music
- That performance is a heightened mode of experience is well established within the ethnomusicological and folkloristic branches of performanc...
- 1- “Where you are Accepted, you Blossom:” Care Ethics in Jazz Pedagogies - Vanessa Blais-Tremblay, McGill University
- Participant Vanessa Blais-Tremblay (CRILCQ) |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Popular Music & Pedagogy
- In this paper, I build on recent feminist scholarship on care-work and I focus on important figures in Montreal's jazz scene such as piano teacher ...
- 2- Success and Struggle in Undergraduate Popular Music Studies - Kyle Tang, Western University
- Participant Kyle Tang (Western University) |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Popular Music & Pedagogy
- I encountered a gamut of experiences during my four years in the undergraduate Popular Music Studies program at Western University’s Faculty ...
- 1- « Miroir, miroir, dis-moi si j’existe! » Analyse de la co-création d’une chanson avec des adolescents québécois - Sarah-Anne Arsenault, Université Laval
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Issues in Research-Creation
- La communication présentera l’analyse du processus de co-création d'une chanson effectué par une chercheuse-créatrice en collaboration avec d...
- 2- Notre-Dame de Paris, du roman à la comédie musicale : analyse de l’adaptation - Ariane Ménard, Université Laval
- Participant Ariane Ménard (Université Laval) |
- 10:30 AM - 12:30 PM | 2 hours Part of: Panel 4 - Issues in Research-Creation
- Le roman Notre-Dame de Paris (Hugo 1832) a été adapté en 1998 par Luc Plamondon. Cette adaptation a été reprise en 2018, avec de légères m...
12:30 PM
12:30 PM
- IASPM - AGM Université du Québec à Montréal (UQAM) - DS-R510
- 12:30 PM - 1:30 PM | 1 hour
1:30 PM
1:30 PM
- 3- Female-Fronted Heavy Metal: Agency, Performativity, and Empowerment - Lori A. Burns, University of Ottawa
- Participant Lori Burns (University of Ottawa) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 5 - Heavy Metal Studies
- In recent years, heavy metal has opened up space for “female-fronted metal,” a domain that is treated as a genre itself, even though the arti...
- 4- « Enfant du lys, souviens-toi » Analyse des caractéristiques phonographiques et paraphonographiques du récit nationaliste de la scène de métal noir québécois - Méi-Ra St-Laurent, Université Laval
- Participant Méi-Ra St-Laurent (Université Laval) |
- 1:30 PM - 3:30 PM | 2 hours Part of: Panel 5 - Heavy Metal Studies
- Dans cette communication, je me pencherai sur les conceptions du nationalisme partagées par les membres de la communauté de métal noir québécois (M...
- Panel 5 - Roundtable - Researcher's identity as variable in research context - Roxane Campeau, U. de Montréal - Marie-Christine Parent, U. de Montréal/U. Nice Sophia Antipolis - Frédéric Léotar, U. de Montréal Université du Québec à Montréal (UQAM) - DS-1525
- 1:30 PM - 3:30 PM | 2 hours
- [ CHAIR: Marianne-Sarah Saulnier, Université de Montréal ] L’objectif de cette table-ronde est de discuter des différents enjeux en...
- Panel 5 - Roundtable - Rethinking priorities in post-secondary music curricula today: decolonizing, “Indigenizing” and visions for the future - Anna Hoefnagels - Heidi Aklaseaq Senungetuk - Gillian Turnbull - Margaret Walker - Louise Wrazen Université du Québec à Montréal (UQAM) - DS-1540
- 1:30 PM - 3:30 PM | 2 hours
- [ CHAIR: Beverley Diamond, Memorial University of Newfoundland ]With recent decrees to “indigenize” the academy in response...
4:00 PM
4:00 PM
- 1- Untypical Girls: Gender, Age, and Punk - Norma Coates, Western University
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Punk, Gender and Identity
- The years of the punk women are (finally) upon us. The punk women in question are all from the first wave of punk in the 1970s, most of whom ...
- 4- Loss and Failure in the Canadian Music Industries: 1975 to 1995 - Brian Fauteux, University of Alberta
- Participant brian fauteux (University of Alberta) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - The EMI Music Canada Collection and the Canadian Music Industry
- A prominent narrative is that cultural policy in the form of Canadian Content regulations, introduced in 1971, instigated the promotion (and ...
- 2- Vocal Performance and Narrative in To Pimp a Butterfly (2015) - Jacqueline Fortier, Université Laval
- Participant Jacqueline Fortier (Université Laval) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Approaching Vocals & Vocality
- Le rap connaît depuis quelques années une grande hausse en popularité avec des artistes tels que Migos, Cardi B, Drake et Kendrick Lamar...
- 1- They Did It for Love: Charity, Disability, and Show Biz in 1950s Britain - Christina Baade, McMaster University
- Participant Christina Baade (McMaster University) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Music Practices and Identities of Past, Present and Future
- On 19 December 1956, Vera Lynn gave a talk on the BBC’s Woman’s Hour.Despite being a hit recording artist, television personali...
- 2- Politics of Legitimacy Through Popular Song - Nil Basdurak, University of Toronto
- Participant Nil Basdurak (University of Toronto) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Music Practices and Identities of Past, Present and Future
- In December 1997, during a meeting with the Association of Muslim Business Leaders in the city of Siirt in Turkey, Recep Tayyip Erdoğan, then...
- 2- De la Walpurgisnacht aux festivals punk-féministes : musique, militantisme et transferts culturels - Louise Barrière, Université de Lorraine
- Participant Louise Barrière (Université de Lorraine) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Punk, Gender and Identity
- Cette communication s'intéresse aux liens concrets ou symboliques entre festivals punk-féministes et mouvement sociaux. Il s'agira plus précisément...
- 3- Urging Intersectionality, Avoiding Solidarity: Reading the Legacy of Riot Grrrl and Race - Karen Mize Berglander, Memorial University of Newfoundland
- Participant Karen Berglander (Memorial University of Newfoundland) |
- 4:00 PM - 6:00 PM | 2 hours Part of: Panel 6 - Punk, Gender and Identity
- This paper explores how the legacy of the Riot Grrrl movement of the 1990s reflects on the movement’s failure to handle issues of race, class...
6:00 PM
6:00 PM
- Guided tour "Montréal in jazz"
- 6:00 PM - 8:00 PM | 2 hours
9:00 AM
9:00 AM
- 3- From 16 beat to 16 bits: a case of hypertextual dialogue in vintage videogame music - Guillermo T. S. Caceres, Université Laval
- Participant Guillermo Caceres (Université Laval) |
- 9:00 AM - 11:00 AM | 2 hours Part of: Panel 7 - New Lives for Throwback Technology
- Originally conceived by Genette (1982), and later expanded into music by Lacasse (2000, 2018), Hypertextuality is a theoretical approach...
- 3- La culture country et la perpétuation de l’effacement des femmes: Les méthodes de Billboard et la diversité sur la liste de classement « Hot Country Songs » – Jada Watson, Université d’Ottawa
- Participant Jada Watson (University of Ottawa) |
- 9:00 AM - 11:00 AM | 2 hours Part of: Panel 7 - Commercial Processes and Local Effects
- En octobre 2012, Billboard a modifié la méthode pour le classement sur la liste « Hot Country Songs » (HCS). Après avoir unique...
11:30 AM
11:30 AM
- 4- From Underground to Mainstream Culture: Addressing Problems Related to Drag Music in Today’s Music Industry - Jérémi Gendron, Université Laval
- 11:30 AM - 1:30 PM | 2 hours Part of: Panel 8 - Queer Aesthetics
- The art of drag (entertainment through a female impersonation by men (Baker, 1994)) evolved from underground to mainstream culture. Previousl...
- 2- Demoting the Diva: Law, Value, and the Proletarianization of Professional Singing in Nineteenth Century UK & US - Matt Stahl, University of Western Ontario
- 11:30 AM - 1:30 PM | 2 hours Part of: Panel 8 - Music & Creative Labour/Work
- In his Making Capital from Culture (1992) Bill Ryan argued the artistic worker “represents a special case of concrete labour wh...
- 1- Literary Legacies: Le mouvement régionaliste and French-Canadian Folklore in Early Twentieth-Century Quebec – Laura Risk, Université de Montréal
- Participant Laura Risk (Université de Montréal) |
- 11:30 AM - 1:30 PM | 2 hours Part of: Panel 8 - The Pasts and Paths of Musical Heritage
- This paper historicizes the first commercial performances of traditional music in Quebec, exactly 100 years ago, in the context of conte...