Tina Escaja (Alm@ Pérez) is a destructivist/a cyber-poet@, digital artist and scholar based in Burlington, Vermont. Her creative work transcends the traditional book format, leaping into digital art, robotics, augmented reality and multimedia projects exhibited in museums and galleries internationally. Escaja has received numerous recognitions and awards, and her work has been translated into six languages. Her digital artifacts include the series VeloCity (2000-2002), Código de barras (2007), Mora Amor (2017), the interactive novel Pinzas de metal (2003), her performance piece with sheep Negro en ovejas (2011), and her poetic robots Robopoem@s (2016). She is the instigator of the Destructivist/a movement, initiated on the grave of Vicente Huidobro in October of 2014. A selection of Escaja’s literary and digital projects can be experienced at tinaescaja.com