
Miss Rachel Emily Taylor
AHRC-funded Ph.D. Researcher
Sheffield Hallam University
Participates in 1 Session
Rachel Emily Taylor is a fine artist, lecturer and AHRC Ph.D. researcher.
The daughter of a porcelain doll-maker, Rachel was born in Sydney, Australia before moving with her family to Konongo, Ghana and then to the North Yorkshire moors in England.
After completing a degree at University of the Arts London (BA Hons) she went on to study at the Royal College of Art (MA), during which she was awarded the Peter Gordon Pickard Award to travel to Rome. Upon obtaining her MA, and working as a professional artist, she began her Fine Art (practice-based) Ph.D. AHRC studentship in 2014 with the Heritage Consortium. The title of her Ph.D. research is Heritage as Process: Constructing the Historical Child’s Voice through Art Practice.
Alongside her current research, Rachel is a Lecturer in Studio Practice at University of the Arts London. Rachel has presented papers at: “Performing the Archive” at NUI Galway; “Method Conference” at Sheffield Hallam University; and “Annual Heritage Consortium Conference” at Huddersfield University.
Rachel has exhibited across the UK: at the Rag Factory in London, the Tetley in Leeds, The Old Joint Stock in Birmingham, Bank Street Arts in Sheffield and the Egg Suite in Manchester, amongst others.
Rachel has undertaken artist residencies in Malta, New York and Belgium. She has been funded by the British Council to be exhibited internationally and was awarded a Grant for the Arts by Arts Council England in 2015 and 2016.
Alongside exhibiting Rachel has fostered a close relationship with Museums. She has facilitated workshops and performed as a live artist at the Wellcome Collection, the British Museum, the Victoria and Albert Museum and the Design Museum. As part of her Ph.D. research, she has undertaken an artist residency at the Museum of Witchcraft.
Rachel Emily Taylor is the current artist in resident at the Foundling Museum in London (supported by the AHRC), with a closing event on Friday 14th October 2016.
www.rachelemilytaylor.co.uk
Read more about Rachel's Ph.D. research here:
https://www.shu.ac.uk/research/specialisms/cultural-communication-and-computing-research-institute/what-we-do/projects/fine-art/research-degree-project-heritage-as-process-constructing-the-historical-childs-voice
The daughter of a porcelain doll-maker, Rachel was born in Sydney, Australia before moving with her family to Konongo, Ghana and then to the North Yorkshire moors in England.
After completing a degree at University of the Arts London (BA Hons) she went on to study at the Royal College of Art (MA), during which she was awarded the Peter Gordon Pickard Award to travel to Rome. Upon obtaining her MA, and working as a professional artist, she began her Fine Art (practice-based) Ph.D. AHRC studentship in 2014 with the Heritage Consortium. The title of her Ph.D. research is Heritage as Process: Constructing the Historical Child’s Voice through Art Practice.
Alongside her current research, Rachel is a Lecturer in Studio Practice at University of the Arts London. Rachel has presented papers at: “Performing the Archive” at NUI Galway; “Method Conference” at Sheffield Hallam University; and “Annual Heritage Consortium Conference” at Huddersfield University.
Rachel has exhibited across the UK: at the Rag Factory in London, the Tetley in Leeds, The Old Joint Stock in Birmingham, Bank Street Arts in Sheffield and the Egg Suite in Manchester, amongst others.
Rachel has undertaken artist residencies in Malta, New York and Belgium. She has been funded by the British Council to be exhibited internationally and was awarded a Grant for the Arts by Arts Council England in 2015 and 2016.
Alongside exhibiting Rachel has fostered a close relationship with Museums. She has facilitated workshops and performed as a live artist at the Wellcome Collection, the British Museum, the Victoria and Albert Museum and the Design Museum. As part of her Ph.D. research, she has undertaken an artist residency at the Museum of Witchcraft.
Rachel Emily Taylor is the current artist in resident at the Foundling Museum in London (supported by the AHRC), with a closing event on Friday 14th October 2016.
www.rachelemilytaylor.co.uk
Read more about Rachel's Ph.D. research here:
https://www.shu.ac.uk/research/specialisms/cultural-communication-and-computing-research-institute/what-we-do/projects/fine-art/research-degree-project-heritage-as-process-constructing-the-historical-childs-voice
Sessions in which Miss Rachel Emily Taylor participates
9:00
9:00
- 11.00 Found; Finding; Foundling, Mine: Searching for the Voice of the Historical Child in the Foundling Museum
- Participant Miss Rachel Emily Taylor (Sheffield Hallam University) |
- 9:00 - 9:30 | 30 minutes Part of: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
Sessions in which Miss Rachel Emily Taylor attends
12:30
12:30
- Welcome Coffee UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 12:30 - 17:30 | 5 hours
- Pause
- Research Development Seminar with Laurajane Smith and Gary Campbell: Heritage and Museum Studies, Sociology
- Signup required UQAM, pavillon du Faubourg (DC) - DC-2300
- 12:30 - 15:30 | 3 hours
- Workshop
- Registration UQAM, pavillon J.-A. De Sève (DS) - DS Main hall
- 12:30 - 17:30 | 5 hours
17:00
17:00
- Opening Ceremony and Cocktail
- Signup required Concordia, Grey Nuns Motherhouse (GN) - Former Chapel
- 17:00 - 19:30 | 2 hours 30 minutes
- Cocktail
19:30
19:30
- The Garden of the Grey Nuns / Le jardin des sœurs grises Concordia, Grey Nuns Motherhouse (GN) - GN 1210
- 19:30 - 21:00 | 1 hour 30 minutes
- Research-Creation
8:00
8:00
- Morning Coffee UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 8:00 - 10:00 | 2 hours
- Pause
9:00
9:00
- Keynote : What does heritage change? Le patrimoine, ça change quoi? (Lucie K. Morisset)
- Signup required UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 9:00 - 10:00 | 1 hour
- Keynote with simultaneous translation / Conférence avec traduction simultanée

11:00
11:00
- 13.50 Interventions in a Shrine: Contemporary Art and the Legacy of the Brontes
- Participant Dr Nick Cass (University of Leeds, United Kingdom) |
- 11:00 - 11:30 | 30 minutes Part of: The Artistry of Heritage
- Paper
- 11.40 Embodied Memoration: Unsettling Colonial Forms through Performative Acts in the Everyday
- Participant Leah Decter (Queen's University) |
- 11:00 - 11:30 | 30 minutes Part of: The Artistry of Heritage
- Paper
- 13.30 Perspectives on Past and Future in Present Tyneside
- Participant Leonie Wieser (Northumbria University) |
- 11:00 - 11:30 | 30 minutes Part of: Heritage Futures / Utopian Currents I
- Paper
- 15.30 Recognition Politics and Multicultural Heritagization in Canada
- Participant Dr Susan Ashley (Northumbria University) |
- 11:00 - 11:30 | 30 minutes Part of: Cultural Contestation: Politics and Governance of Heritage
- Paper
- 13.30 Performance as Research in Heritage: Staging Ben Jonson’s Masque of the Augurs in the Banqueting House, Whitehall
- Participant Professor Thomas Betteridge (Brunel University London ) |
- 11:00 - 11:30 | 30 minutes Part of: The Artistry of Heritage
- Paper
- Memory and Heritage: Oral Narratives and Cultural Representations of Industry, Work and Deindustrialization in Scotland UQAM, pavillon J.-A. De Sève (DS) - DS-1540
- 11:00 - 12:30 | 1 hour 30 minutes
- Regular session
- The Artistry of Heritage UQAM, pavillon J.-A. De Sève (DS) - DS-M460
- 11:00 - 17:00 | 6 hours
- Regular session
- Le musée complice : action locale, initiative d’engagement, production en commun UQAM, pavillon J.-A. De Sève (DS) - DS-M340
- 11:00 - 12:30 | 1 hour 30 minutes
- Regular session
13:30
13:30
- Cultural Heritage and the Working Class UQAM, pavillon J.-A. De Sève (DS) - DS-1540
- 13:30 - 15:00 | 1 hour 30 minutes
- Regular session
- 13.30 "Nostalgia for the Future": Memory, Nostalgia and the Politics of Class
- Participant Prof. Laurajane Smith (Australian National University) |
- 13:30 - 14:00 | 30 minutes Part of: Cultural Heritage and the Working Class
- Paper
17:00
17:00
- Smoked meat in questions Bistro le Sanguinet - Bistro, étage principal et terrasse
- 17:00 - 18:00 | 1 hour
- Cocktail
18:30
18:30
- Keynote: Is Tangible to Intangible as Formal is to Informal ? (Michael Herzfeld)
- Signup required UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 18:30 - 20:00 | 1 hour 30 minutes
- Keynote with simultaneous translation / Conférence avec traduction simultanée

9:00
9:00
- Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion I UQAM, pavillon J.-A. De Sève (DS) - DS-2518
- 9:00 - 12:30 | 3 hours 30 minutes
- Regular session
7:00
7:00
- Morning Coffee Concordia, Engineering, Computer Science and Visual Arts Integrated Complex Building (EV) - EV Atrium
- 7:00 - 9:00 | 2 hours
- Pause
9:00
9:00
- 11.30 Performing Imaginary Healings: The Post-Conflict Heritage of Ebrington Barracks in Derry-Londonderry
- Participant Dr Tom Maguire (Ulster University) |
- 9:00 - 9:30 | 30 minutes Part of: Contested Pasts: Urban Heritage in Divided Cities
- Paper
- 11.40 Crowds, Events and "Acts" of Citizenship: Heritage-Making at the Chattri Indian Memorial
- Participant Dr Susan Ashley (Northumbria University) |
- 9:00 - 9:30 | 30 minutes Part of: Activism, Civil Society and Heritage
- Paper
- Critical Heritage Theory: Foundational Cores and Innovative Edges Concordia, John Molson School of Business Building (MB) - MB 3.435
- 9:00 - 15:00 | 6 hours
- Regular session
- An Intergenerational Conversation about Heritage Conservation Education: The Rise, Fall, and (Necessary) Redefinition of Expert Knowledge Concordia, John Molson School of Business Building (MB) - MB 3.430
- 9:00 - 12:30 | 3 hours 30 minutes
- Roundtable
- 14.00 Keeping Critical Heritage Studies Critical: Why "Post-Humanism" and the "New Materialism" Are Not So Critical
- Participant Mr Gary Campbell (ANU) | Participant Prof. Laurajane Smith (Australian National University) |
- 9:00 - 9:30 | 30 minutes Part of: Critical Heritage Theory: Foundational Cores and Innovative Edges
- Paper
12:30
12:30
- ACHS Chapters meetings: ACHS US Chapter Concordia, John Molson School of Business Building (MB) - MB S1.255
- 12:30 - 13:30 | 1 hour
- Workshop
- Lunchboxes | Boîtes à lunch Concordia, Engineering, Computer Science and Visual Arts Integrated Complex Building (EV) - EV Atrium
- 12:30 - 13:30 | 1 hour
- Repas
13:30
13:30
- Co-Production in Heritage: Towards New Imaginaries. Part I: Co-Production in the Digital Environment Concordia, John Molson School of Business Building (MB) - MB 3.265
- 13:30 - 15:00 | 1 hour 30 minutes
- Regular session
- Engaging Authenticity Concordia, John Molson School of Business Building (MB) - MB S1.115
- 13:30 - 15:00 | 1 hour 30 minutes
- Research-Creation
- Moving Memory: Difficult Histories in Dialogue (exhibition opening) Concordia, LB Building - LB 671 CaPSL/CEREV
- 13:30 - 15:00 | 1 hour 30 minutes
- Research-Creation
- Critical Creation Series: “Le Petit coin intact:” A Bilingual Performed Autoethnography Concordia, Engineering, Computer Science and Visual Arts Integrated Complex Building (EV) - EV Atrium
- 13:30 - 15:00 | 1 hour 30 minutes
- Event
9:00
9:00
- 10.00 Humorous Becomings: Exploring Empathy Through the Use of "Craic" in Tours of Belfast's Murals
- Participant Ms Katie Markham (sskjm@leeds.ac.uk) |
- 9:00 - 9:30 | 30 minutes Part of: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
- 09.20 The Role of Empathy and Affect in Pro-Social Museum Transformations
- Participant Mr Lachlan Dudley (Australian National University) |
- 9:00 - 9:30 | 30 minutes Part of: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
- 11.20 Heritage, Emotional Communities, and Imaginary Childhood Landscapes
- Participant Christian Widholm (Södertörn University) |
- 9:00 - 9:30 | 30 minutes Part of: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
- 09.40 Exploring Perceptive Experiences Through Multi-Sensory Learning
- Participant Shauna Rak (McGill University) |
- 9:00 - 9:30 | 30 minutes Part of: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
- 09.00 From Folk History to Empathy: Contesting Heritage Values in Chinchero, Peru
- Participant Dr. Pablo Garcia (University of St Andrews) |
- 9:00 - 9:30 | 30 minutes Part of: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
- Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II Concordia, John Molson School of Business Building (MB) - MB 3.435
- 9:00 - 12:30 | 3 hours 30 minutes
- Regular session
- Co-Production in Heritage: Towards New Imaginaries. Part II. Co-Production, Conservation and Memory; Co-Production and the Professional Imaginary Concordia, John Molson School of Business Building (MB) - MB S1.401
- 9:00 - 15:00 | 6 hours
- Regular session
- What does Photography Preserve? Reification and Ruin in the Photographic Heritage of a Place Called Montreal Concordia, John Molson School of Business Building (MB) - MB S1.435
- 9:00 - 17:00 | 8 hours
- Regular session
13:30
13:30
- The Lost Stories Project Concordia, John Molson School of Business Building (MB) - MB 2.130
- 13:30 - 15:00 | 1 hour 30 minutes
- Research-Creation
- Thinking Through the Museum: Difficult Knowledge in Public Concordia, John Molson School of Business Building (MB) - MB S1.430
- 13:30 - 15:00 | 1 hour 30 minutes
- Roundtable
15:30
15:30
- Museums and Historical Consciousness: Emergent Themes in Theory and Practice Concordia, John Molson School of Business Building (MB) - MB S1.115
- 15:30 - 17:00 | 1 hour 30 minutes
- Roundtable