Catherine Bryan
Sessions in which Catherine Bryan participates
Monday 6 June, 2016
Sessions in which Catherine Bryan attends
Saturday 4 June, 2016
Much is being made of the perceived breakdown of the nation-state, which was historically configured as a “container” of heritage formations, adopting and perusing local traditions where possible but oppressing them where deemed unsuitable. Migration is seen as eroding the rigid boundaries of this configuration, potentially liberating identities and heritages in the process. This session addresses the relationship between critical heritage and redefinitions of self, other, community and place...
Many people are actively using working class heritage as a resource to reflect on the past and the present, and there is a growing tendency for the heritage of working class people to be interpreted and presented to the public in museums and heritage sites—see for example the Worklab network of museums. Working class communities and organizations also play active roles in creating a memory of their own past, and mobilizing this to sustain political action in the present. Drawing on scho...
Sunday 5 June, 2016
In many emerging economies of the Global South, new urban mega-projects are strategically reviving heritage into simulacra, copies without originals, intended to sell places. We refer to these projects collectively as "New Built Heritage." This type differs from earlier constructions of heritage by canonical state institutions such as museums and ministries of culture in the way its main goal is to differentiate and market places rather than solely to shape collective identities. This session...
With his expression "ceci tuera cela," Hugo established almost two centuries ago a strong link between words and stones as transmission vehicles of human memory. We heritage experts would be inclined to consider stones as more reliable than words, what semiology seems to confirm: stones are clues, and clues are, according to Roland Barthes, tangible proofs of “what has been.” But the inspector Columbo has often shown how we can play with these clues, and Umberto Eco would easily forgive us th...