Sessions in which lisa taylor participates
Sunday 5 June, 2016
Sessions in which lisa taylor attends
Friday 3 June, 2016
Working with archival documents and the current-day morphology of the Grey Nuns' site, Dr Cynthia Hammond, Dr Shauna Janssen, in collaboration with Dr Jill Didur, will curate a series of installations and performances that speak directly to the rich heritage of a specific urban landscape: the gardens of the Grey Nuns' Motherhouse, now part of the Concordia University downtown campus. Visitors will have the opportunity to explore the lost working gardens of the Grey Nuns. As with other such...
Saturday 4 June, 2016
What if we changed our views on heritage? And if heritage has already changed? While, on the global scene, states maintain their leading role in the mobilization of social and territorial histories, on the local scale, regions, neighbourhoods and parishes have changed. Citizens and communities too: they latch on to heritage to express an unprecedented range of belongings that no law seems to be able to take measures to contain, often to the discontent of...
Most of what we experience as heritage emerges into conscious recognition through a complex mixture of political and ideological filters, including nationalism. In these processes, through a variety of devices (museums, scholarly research, consumer reproduction, etc.), dualistic classifications articulate a powerful hierarchy of value and significance. In particular, the tangible-intangible pair, given legitimacy by such international bodies as UNESCO, reproduces a selective ordering of cul...
Sunday 5 June, 2016
We would like to propose a session, building on the one we ran at the 2014 CHS conference in Canberra, on how emotion and affect feature in the fields of heritage and museums studies, memory studies, public history, heritage tourism, studies of the built and urban environment, conservation, archives and any field of study that deals with the emotional impact and use of the past in the present. There is an increasing interest in how emotion is a form of judgement on things that affect ou...
"What does heritage change?" is a multifaceted question to which the answer(s) are in primary respects related to real-life negotiations among different groups of citizens, cultures, races, ethnic groups, sexual identities, and social classes about received, official and/or widely accepted or accomodated intangible attributes, cultural traditions, historic monuments, buildings, and other transmitted or revived historical legacies. Heritage designated by and for whom, for what motivations, an...
Monday 6 June, 2016
Dominique Fontaine / Livia Daza-Paris, A video and photographic installation. (All Day Installation) Livia Daza-Paris presents an investigative work, which considers grief, political displacement and how they inhabit one’s own body and place of dwelling. The visits (of which there were none) Episode N. 2; is a segment being developed in Montreal as part of On Antigone Steps: poetic forensics of t...
In a collaborative and image-rich conversational presentation, “Teaching/Learning/Living Post-Industrial Ecologies” outlines the potentials and problematics of “The Right to the City,” a multi-year transdisciplinary curriculum initiative that brings graduate and undergraduate students from Concordia University to Montreal’s historic South West borough. Through our tethered teaching, four professors have asked, “what does it change for the university to teach/learn on-site with the resident...
Around the globe the planning of large-scale memorial-museum projects concerned with violent histories are frequently marred by conflict, omission, and competitions of victimhood. This problem also extends to scholarship on genocide and memory. “Moving memory” is a collaborative multi-sited research exhibition about the Armenian and Roma genocides that proposes creative solutions to these museological and scholarly conflicts around commemoration. Our multi-sited event includes two pr...
Creator/performer: Lisa Ndejuru, Concordia University. Soundscape and projections: David Ward, Concordia University. Theatrical Performance with Projected Photos Le petit coin intact is a bilingual (FR/EN) performed monologue with soundscape and projections. The title of this series of short vignettes refers to a core of wholeness and strength so often contained in even the most extreme narratives...
Le patrimoine fait aujourd’hui l’objet d’attentions autant que d’agressions et de destructions. Cela peut s’expliquer par les difficultés de son identification ou de sa conservation. Cela peut plus profondément s’expliquer parce que, dès le départ, il célébre un événement ou conserve une mémoire qui peut être ou devenir une source de dissenssions et de conflits politiques. Enfin, sa reconnaissance suscite des gains économiques pour les uns mais des pertes pour les autres. Mais peut-être...
Directed by Christine Walley and Chris Boebel Presented by Michelle Stefano When the steel mills began closing on Chicago's Southeast Side, residents could feel the American Dream slipping away. Decades later, the loss of the steel industry has left permanent scars. The documentary film, Exit Zero: An Industrial Family Story, is named for the highway exit number for Chicago’s old steel mill neighbourhoods and captures the feeling of a region passed over. In poignant and some...
Tuesday 7 June, 2016
Fleur dans le fleuve (COHDS, 2012 - French) – À chaque année, en avril, la communauté rwandaise de Montréal se réunit pour commémorer les centaines de milliers d’homme, femmes et enfants qui ont été assassinés pendant le génocide de 1994. La marche audioguidée emprunte le parcours de la commémoration, de la station de métro Berri-UQAM (au coin des rues Berri et Ste-Catherine) jusqu’à la tour de l’Horloge qui surplombe le fleuve St-Laurent, dans le Vi...
*L'atelier de recherche-création sera en anglais / This research-creation workshop will be in English By using experimental and anthropological theatre’s tools, it is a sensitive exploration into the heart of questions of art, exile, heritage and transmission that I propose to lead here. How do we grasp as closely as possible the committed creations of Mizrahi artists and their aspirations, if not by artistic creation itself? The performance will become my space of research, s...
In exploring the broader question “What does heritage change?” this session presents work that is extending heritage policies and practices beyond elite cultural narratives. Using diverse disciplinary perspectives and drawing from case studies around the world, the presenters explore contexts in which stakeholders’ perspectives and choices have been catalysts for change, democratized knowledge, or exposed gaps in contemporary heritage practices. The case studies reveal complex and often conte...
We would like to propose a session, building on the one we ran at the 2014 CHS conference in Canberra, on how emotion and affect feature in the fields of heritage and museums studies, memory studies, public history, heritage tourism, studies of the built and urban environment, conservation, archives and any field of study that deals with the emotional impact and use of the past in the present. There is an increasing interest in how emotion is a form of judgement on things that affect ou...
In November 2014, artists and thinkers including Jimmie Durham, Michael Taussig, Rebecca Belmore and Paul Chaat Smith convened in Calgary and Saskatoon for “Stronger than stone: (Re)Inventing the Indigenous Monument,” an international symposium which served to foreground the most critical issues facing Indigenous memory-making and cultural preservation today. Propositions for new types of monuments (or anti- monuments in many cases) were made that were specific to the Indigenous worldview and...
An experiment in moving memory, this live event bridges public and academic space to re-imagine knowledge exchange, creation and impact. Around the globe the planning of large-scale memorial-museum projects concerned with violent histories are frequently marred by conflict, omission, and competitions of victimhood. This problem also extends to scholarship on genocide and memory. “Moving Memory: difficult histories in dialogue” is a collaborative multi-sited research exhibiti...
The Canadian Museum for Human Rights opened to the public in September 2014. Yet this "first museum solely dedicated to the evolution, celebration and future of human rights," met serious criticism from a variety of stakeholders before it even opened its doors. These stakeholders included Indigenous and Ukrainian communities, anti-poverty activists, feminists, gay rights activists, and disability advocates who questioned some of the museum's key curatorial choices in framing issues of righ...
To date, very little literature explicitly explores the relationships of museums and heritage to historical consciousness, despite the overlapping concerns shared by these respective fields. This roundtable addresses the subject of museums as sites of historical consciousness by reflecting on a recent book project. Museums as Sites of Historical Consciousness: Perspectives on Museum Theory and Practice in Canada (working title, UBC Press, 2016) examines (1) ways that museums create and sha...