
Sarah Harvey Richardson is a third year PhD candidate in the School of Fine Art, History of Art and Cultural Studies, University of Leeds. Her current research is concerned with the concept of ‘audiences’ and audience engagement and development practices in art galleries; in particular an exploration of the juncture between the theoretical and the practical, influenced by her work in gallery education. Other areas of interest include: cultural value, policy (and its relationship to practice), the politics and power of the institution, identity/identification, and, ways of knowing.
Sarah is a member of the Centre for Critical Studies in Museums, Galleries and Heritage, Leeds, and is part of the postgraduate committee working to promote the Cultural Value Research Theme at the University of Leeds. She also has a background in gallery education, with a particular focus on adult learning, and is passionate about the provision of engaging arts experiences for all. She completed her MA in Art Gallery and Museum Studies with Distinction (University of Leeds, 2012), and holds a BA with First Class Honors in Fine Art (Leeds Beckett University, 2008).
Sarah is a member of the Centre for Critical Studies in Museums, Galleries and Heritage, Leeds, and is part of the postgraduate committee working to promote the Cultural Value Research Theme at the University of Leeds. She also has a background in gallery education, with a particular focus on adult learning, and is passionate about the provision of engaging arts experiences for all. She completed her MA in Art Gallery and Museum Studies with Distinction (University of Leeds, 2012), and holds a BA with First Class Honors in Fine Art (Leeds Beckett University, 2008).
Sessions in which Sarah Harvey Richardson participates
11:00
11:00
- 12.00 Understanding "Audience": Exploring Knowledge Production in the Art Gallery
- Participant Sarah Harvey Richardson (University of Leeds) |
- 11:00 - 11:30 | 30 minutes Part of: Le musée complice : action locale, initiative d’engagement, production en commun
- This paper is concerned with how “place” can potentially inform and transform the knowledge and practice of a particular institution, and, in tu...
- Paper
Sessions in which Sarah Harvey Richardson attends
13:00
13:00
- What is Critical Heritage Studies: Open Forum
- Signup required UQAM, pavillon J.-A. De Sève (DS) - DS-R520
- 13:00 - 15:00 | 2 hours
- This forum will explore the current directions of critical heritage studies and what makes ACHS distinctive. Panel members will discuss what the...
- Workshop
17:00
17:00
- Opening Ceremony and Cocktail
- Signup required Concordia, Grey Nuns Motherhouse (GN) - Former Chapel
- 17:00 - 19:30 | 2 hours 30 minutes
- Welcome addresses and cocktail, followed by the Concordia Signature Event "The Garden of the Grey Nuns". As the opening ceremony and cocktail...
- Cocktail
9:00
9:00
- Keynote : What does heritage change? Le patrimoine, ça change quoi? (Lucie K. Morisset)
- Signup required UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 9:00 - 10:00 | 1 hour
- What if we changed our views on heritage? And if heritage has already changed? While, on the global scene, s...
- Keynote with simultaneous translation / Conférence avec traduction simultanée

11:00
11:00
- 13.50 Interventions in a Shrine: Contemporary Art and the Legacy of the Brontes
- Participant Dr Nick Cass (University of Leeds, United Kingdom) |
- 11:00 - 11:30 | 30 minutes Part of: The Artistry of Heritage
- In being a memorial to the Bronte sisters—writers of the “unimaginably famous” Jane Eyre and Wuthering Heights—the Bronte Pars...
- Paper
- Le musée complice : action locale, initiative d’engagement, production en commun UQAM, pavillon J.-A. De Sève (DS) - DS-M340
- 11:00 - 12:30 | 1 hour 30 minutes
- Regular session
- Heritage Futures / Utopian Currents I UQAM, pavillon J.-A. De Sève (DS) - DS-R515
- 11:00 - 17:00 | 6 hours
- The notion of heritage is closely linked to processes of change. In the Western context, the definition of heritage as "a contemporary product shap...
- Regular session
12:30
12:30
- Lunchboxes | Boîtes à lunch UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 12:30 - 13:30 | 1 hour
- Repas
18:30
18:30
- Keynote: Is Tangible to Intangible as Formal is to Informal ? (Michael Herzfeld)
- Signup required UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 18:30 - 20:00 | 1 hour 30 minutes
- Most of what we experience as heritage emerges into conscious recognition through a complex mixture of political and ideological filters, including...
- Keynote with simultaneous translation / Conférence avec traduction simultanée

9:00
9:00
- 10.00 The "War to End War": Utopian Dreams and Lost Opportunities of First World War Heritage
- Participant Professor David Harvey (University of Exeter, UK) |
- 9:00 - 9:30 | 30 minutes Part of: Heritage Futures / Utopian Currents II
- In his socialist science-fiction novel, “News From Nowhere,” William Morris expresses a utopian dream of “radical nostalgia.” Heritage is deploy...
- Paper
- 11.20 The Rhetoric of Looking: The Case of the National Gallery in London after WWII
- Participant Ana Baeza-Ruiz (University of Leeds) |
- 9:00 - 9:30 | 30 minutes Part of: Reflection, Selection, Deflection: Rhetoric in the Global Pursuit of Heritage
- The discursive turn in the field of heritage studies has made a major contribution to our understanding of heritage as a set of processual pract...
- Paper
- Re-Writing History in the Time of Late Capitalism : Uses and Abuses of Built Heritage UQAM, pavillon J.-A. De Sève (DS) - DS-R525
- 9:00 - 12:30 | 3 hours 30 minutes
- With his expression "ceci tuera cela," Hugo established almost two centuries ago a strong link between words and stones as transmission vehicles of...
- Regular session
9:00
9:00
- 11.30 Acting on the Body: Heritage as a Governing Strategy for Disciplining the Female Body in Twentieth-Century Iceland
- Participant Ólafur Rastrick (University of Iceland) |
- 9:00 - 9:30 | 30 minutes Part of: Critical Heritage Theory: Foundational Cores and Innovative Edges
- The title of the paper refers to Tony Bennett’s article “Acting on the social” and his employment of the Foucauldian notion of governmentality e...
- Paper
- 14.30 The Role of the Critical Heritage Theorist
- Participant Prof. Melissa F. Baird (Michigan Technological University, Department of Social Sciences, United States) |
- 9:00 - 9:30 | 30 minutes Part of: Critical Heritage Theory: Foundational Cores and Innovative Edges
- What is the role of the critical heritage theorist? While scholars define and debate the contours of critical heritage theory, the role of the c...
- Paper
- 09.20 All and Each: The Dynamics of Scale in Digital Heritage Cultures
- Participant Ms Elizabeth Stainforth (University of Leeds, History of Art and Cultural Studies, United Kingdom ) | Participant Dr. Rhiannon Bettivia (University of Illinois, Urbana-Champaign) |
- 9:00 - 9:30 | 30 minutes Part of: Politics of Scale: A New Approach to Heritage Studies II
- Within the last ten years, open-access web-based technologies have provided new methods for fostering engagement between cultural heritage organ...
- Paper
- 14.00 Keeping Critical Heritage Studies Critical: Why "Post-Humanism" and the "New Materialism" Are Not So Critical
- Participant Mr Gary Campbell (ANU) | Participant Prof. Laurajane Smith (Australian National University) |
- 9:00 - 9:30 | 30 minutes Part of: Critical Heritage Theory: Foundational Cores and Innovative Edges
- Theory building in heritage studies in general, and critical heritage studies in particular, has to be eclectic and wide-ranging. However, to ac...
- Paper
- Critical Heritage Theory: Foundational Cores and Innovative Edges Concordia, John Molson School of Business Building (MB) - MB 3.435
- 9:00 - 15:00 | 6 hours
- The field of heritage has emerged as a key site of reflection. Influenced by shifts in the academy (e.g., post-colonial, post-structural and femini...
- Regular session
- Flexible Scales and Relational Territoriality in the Meaning-Making of Cultural Heritage Concordia, John Molson School of Business Building (MB) - MB 3.445
- 9:00 - 15:00 | 6 hours
- Space plays a crucial role in the production and meaning-making of cultural heritage. Although space has often been discussed in heritage studies, ...
- Regular session
15:30
15:30
- Keynote: Il n'est de patrimoine qu'au futur...| Only in the future will it be heritage... (Xavier Greffe)
- Signup required Concordia, John Molson School of Business Building (MB) - MB 1.210
- 15:30 - 17:00 | 1 hour 30 minutes
- Le patrimoine fait aujourd’hui l’objet d’attentions autant que d’agressions et de destructions. Cela peut s’expliquer par les difficultés de son id...
- Keynote with simultaneous translation / Conférence avec traduction simultanée

9:00
9:00
- Co-Production in Heritage: Towards New Imaginaries. Part II. Co-Production, Conservation and Memory; Co-Production and the Professional Imaginary Concordia, John Molson School of Business Building (MB) - MB S1.401
- 9:00 - 15:00 | 6 hours
- Involving communities, visitors or the public is frequently presented as one of the major tasks of museums and heritage sites in current global mov...
- Regular session
15:30
15:30
- Critical Heritage Studies in the UK: Future Directions Concordia, John Molson School of Business Building (MB) - MB 5.215
- 15:30 - 17:00 | 1 hour 30 minutes
- What is the future of the UK and what is the role of heritage in this shifting political landscape? How have debates on heritage in the UK chang...
- Roundtable