Steven collaborated with other Tate Collective Liverpool members to write a paper entitled ‘The Value of the Blueprint Festival’, which was presented at an iJade (International Journal of Art and Design Education) conference in 2014 and will be published in an issue of iJade. In it he discussed different aspects of the festival and how both young people and the wider audience experienced it.
Steven wrote a paper called ‘The Trouble with Youth Voice’ and presented it at a BERA (British Education Research Association) youth arts conference at Nottingham University in April 2015. In it he analysed the issues that arise when trying to utilise youth voice within art galleries.
In addition to the above he was part of a panel discussion about the interaction of art galleries and subcultures at Tate Modern in June 2015.
Sessions in which Steven Hyland participates
Saturday 4 June, 2016
Sessions in which Steven Hyland attends
Friday 3 June, 2016
Welcome addresses and cocktail, followed by the Concordia Signature Event "The Garden of the Grey Nuns". As the opening ceremony and cocktail take place in the former Grey Nuns' Motherhouse, recycled into campus residence and reading rooms by Concordia University, delegates will also have the possibility to discover the video Three Grey Nuns (3 minutes, by Ron Rudin and Phil Lichti. Three Grey Nuns recount their memories of communal life in the Grey Nun’s Motherhouse. Built...
Saturday 4 June, 2016
What if we changed our views on heritage? And if heritage has already changed? While, on the global scene, states maintain their leading role in the mobilization of social and territorial histories, on the local scale, regions, neighbourhoods and parishes have changed. Citizens and communities too: they latch on to heritage to express an unprecedented range of belongings that no law seems to be able to take measures to contain, often to the discontent of...
Monday 6 June, 2016
Le patrimoine fait aujourd’hui l’objet d’attentions autant que d’agressions et de destructions. Cela peut s’expliquer par les difficultés de son identification ou de sa conservation. Cela peut plus profondément s’expliquer parce que, dès le départ, il célébre un événement ou conserve une mémoire qui peut être ou devenir une source de dissenssions et de conflits politiques. Enfin, sa reconnaissance suscite des gains économiques pour les uns mais des pertes pour les autres. Mais peut-être...