Xavier Greffe is Professor of Economics at the University Paris I - Sorbonne where he manages the PhD program in Economics of Arts, and President of the French National commission on Artistic Employment. He is visiting professor at the Graduate Research Institute for Policy Studies, in Tokyo. Before he has been successively research Assistant in Los Angles (UCLA) and professor in Paris XIII, Algiers, and Paris I. For twelve years (1982-1994), he worked with the French administration, where he was Director of New Technologies in the Department of National Education, and Director of Training and Apprenticeship in the Department of Labour and Employment. He is consultant at OECD, Unesco and Wipo. Recent books: Managing Our Cultural Heritage (Aryan Books, Delhi and London), Arts and Artists from an Economic Perspective (Unesco & Economica, 2006), French Cultural Policy (in Japanese), (Tokyo : Bookdom, 2006) Artistes et marchés (La documentation française, 2007) ; Culture Web : création, contenus et économie numérique (Dalloz, 2008) ; La politique culturelle en France (La documentation française, 2009) ; L’artiste-entreprise (Paris, Dalloz, 2012 ; forthcoming in English edition at Springer in 2005) ; Artistes et politiques (Economica,2013) ; Arte e mercado (Ilumi – Sao Paulo, 2013) ; La trace et le rhyzome : Les mises en scène du patrimoine culturel (Presses Universitaires du Québec, 2014) ; City, Culture, Creativity and Cities (co-editor with Emiko Kakiuchi, Suiyo-Cha, Tokyo, 2015)
Sessions in which Prof. Xavier Greffe participates
Monday 6 June, 2016
Le patrimoine fait aujourd’hui l’objet d’attentions autant que d’agressions et de destructions. Cela peut s’expliquer par les difficultés de son identification ou de sa conservation. Cela peut plus profondément s’expliquer parce que, dès le départ, il célébre un événement ou conserve une mémoire qui peut être ou devenir une source de dissenssions et de conflits politiques. Enfin, sa reconnaissance suscite des gains économiques pour les uns mais des pertes pour les autres. Mais peut-être...
Sessions in which Prof. Xavier Greffe attends
Saturday 4 June, 2016
The notion of heritage is closely linked to processes of change. In the Western context, the definition of heritage as "a contemporary product shaped from history" (Harvey 2010) highlights the extent to which our relationship with the past is being continually re-configured. However, there is a future dimension implied in this relationship that is often neglected; to paraphrase William Morris, the sense in which heritage testifies to the hopes and aspirations of those now passed away. Making ...
Most of what we experience as heritage emerges into conscious recognition through a complex mixture of political and ideological filters, including nationalism. In these processes, through a variety of devices (museums, scholarly research, consumer reproduction, etc.), dualistic classifications articulate a powerful hierarchy of value and significance. In particular, the tangible-intangible pair, given legitimacy by such international bodies as UNESCO, reproduces a selective ordering of cul...
Tuesday 7 June, 2016
The closing dinner of the conference, called “Pawâ” according to a French-Canadian tradition borrowed from the Native American lexicon, will be an opportunity to discover, in the heart of the Old Port of Montreal, an original culinary creation by the caterer Agnus Dei, from the renowned Maison Cartier-Besson in Montreal, leader in its field for its boundless creativity and event expertise. The dinner, in the form of stations, will offer delegates an exploration of Quebecois culinary heritage,...