Sessions in which Antonella Tufano participates
Tuesday 7 June, 2016
Sessions in which Antonella Tufano attends
Monday 6 June, 2016
Le patrimoine fait aujourd’hui l’objet d’attentions autant que d’agressions et de destructions. Cela peut s’expliquer par les difficultés de son identification ou de sa conservation. Cela peut plus profondément s’expliquer parce que, dès le départ, il célébre un événement ou conserve une mémoire qui peut être ou devenir une source de dissenssions et de conflits politiques. Enfin, sa reconnaissance suscite des gains économiques pour les uns mais des pertes pour les autres. Mais peut-être...
Directed by William Shewbridge and Michelle Stefano USA; 35 mins Presented by Michelle Stefano ___ After 125 years of operation, the Sparrows Point Steel Mill (Baltimore, Maryland) finally closed its doors in 2012. The film, “Mill Stories”, examines the importance of the mill from the perspectives of former workers and community members while connecting their story to the larger narrative of industrial boom and bust. The film seeks to amplify the voices of forme...
Directed by Christine Walley and Chris Boebel Presented by Michelle Stefano When the steel mills began closing on Chicago's Southeast Side, residents could feel the American Dream slipping away. Decades later, the loss of the steel industry has left permanent scars. The documentary film, Exit Zero: An Industrial Family Story, is named for the highway exit number for Chicago’s old steel mill neighbourhoods and captures the feeling of a region passed over. In poignant and some...
Tuesday 7 June, 2016
L’art contemporain, lorsqu’il est en relation avec le patrimoine culturel, que ce dernier soit bâti ou qu’il mobilise d’autres matériaux ou supports, tend à reconfigurer les rapports de la société à ses patrimoines et à son histoire. Il est ainsi à même d’ajouter, de modifier, de détourner ou même de transformer les valeurs historiennes ou esthétiques communément associées au patrimoine culturel d’une nation, d’une région ou d’un groupe social ou ethnique; y compris d’ailleurs en ce qui conce...
The 1970s witnessed a flourishing of living experiments in space, place and community sharing broad ambitions to bring about transformed human social and interpersonal conditions, to re-envision relationships between people and the environment and ecology of their habitats, and to reject a growing mainstream vision of people as passive consumers in favour of a role as creative and adventurous agents of their own destinies. While some expressions of these experiments were non-spatial or intend...