Dimanche 5 Juin, 2016
Canal: Walking the Post-Industrial Lachine Canal (COHDS, 2013 - bilingual) is an audio-walk and booklet that takes listeners from the Atwater Market to the Saint Gabriel Lock, exploring the post-industrial transformation of a once heavily industrialized area. The Lachine Canal area has undergone dramatic changes, as mills and factories were closed and then demolished or converted into high-end condominiums. The adjoining working-class neighbourhoods ...
Movement, stillness, and creation will be combined during this walk as participants are encouraged to attune themselves to the environment through conscious emplacement. We will awaken our sensory awareness by experimenting with deep listening, observing impermanence and slow walking. Weather permitting, participants will also be invited to create a cyanotype photogram with found materials. An in-situ photogram is an image made in collaboration with the environment and enhances our a...
(In English) Chinatown, born in the second half of the 19th century, is a hub of commercial and sociocultural activities which showcases Chinese culture in Montreal. It has become, over time, an iconic landscape of the city’s cultural diversity. Jonathan Cha, urbanologist, landscape architect and doctor in both space and town planning, proposes a discovery tour allowing us to get acquainted with the history of the district and the decipherment of its landscape. _ Le Quartier chinois, né dans ...
In English and French The two Inuit artists Nina Segalowitz and Taqralik Partridge are offering us an initiation to katajjaniq, this thousand years old autochthonous expression of overtone singing which consists of an alternate dialogue of inhaled and exhaled guttural and vocal sounds. Throat singing is practiced just like a game: two women facing and challenging one another until one of them either laughs or runs out of breath. (Meeting point: DS Registration table) _...
Le patrimoine, ça change quoi ? Ou plutôt, qu'est-ce que c'est ? Et pour qui ? Ces questions sont à l'origine de cette exposition conçue par les étudiants à la maîtrise en muséologie UQAM-UdeM. L'opinion de la communauté uqamienne y est confrontée à des citations de chercheurs, avec comme résultat une mise en perspective originale du discours sur le patrimoine. __ How is heritage important? Or rather, what is heritage? And for whom? Those questions are at the core of this e...
La question du futur de la patrimonialisation et de son influence sur les sociétés et les acteurs sociaux est au cœur des interrogations actuelles sur les patrimoines liés aux hôpitaux et à la santé. Certes l’avenir des patrimoines des hôpitaux et de la médecine paraît aujourd’hui fort incertain. Cependant, en France comme au Québec, la sauvegarde des patrimoines liés à la santé a suscité un réel intérêt dans les trente dernières années. Les recherches que nous conduisons depuis 1989 m...
In many emerging economies of the Global South, new urban mega-projects are strategically reviving heritage into simulacra, copies without originals, intended to sell places. We refer to these projects collectively as "New Built Heritage." This type differs from earlier constructions of heritage by canonical state institutions such as museums and ministries of culture in the way its main goal is to differentiate and market places rather than solely to shape collective identities. This session...
La circulation continue des personnes, des savoirs et des savoir-faire nous place devant des interactions multiples entre le «local», le «transnational» et le «global»; en même temps les démarches de patrimonialisation de «pratiques culturelles» se multiplient, dans un contexte de reconfiguration incessante des rapports sociaux et politiques. D’une façon générale, les connaissances et les pratiques médicales sont touchées par ces phénomènes. C’est sur cette recomposition dynamique que nous pr...
With his expression "ceci tuera cela," Hugo established almost two centuries ago a strong link between words and stones as transmission vehicles of human memory. We heritage experts would be inclined to consider stones as more reliable than words, what semiology seems to confirm: stones are clues, and clues are, according to Roland Barthes, tangible proofs of “what has been.” But the inspector Columbo has often shown how we can play with these clues, and Umberto Eco would easily forgive us th...
Russell Staiff argues that heritage discourse and practice are tightly interwoven with the theoretical legacy of the visual arts, specifically citing the shared concerns of formalism, iconography, aesthetics and modernism (“Heritage and the Visual Arts” 2015). Yet craft, as a field of knowledge, is often subsumed under the visual arts, when in fact its materialities, functionality, concerns about skill and preoccupation with the local (whether understood as geographically or politically const...
Digital installations and interventions have been seen as a promising ways to support and foster dialogue in museum exhibitions. How does this potential translate into practice and does it enable reflexive and critical approaches towards heritage-making? This session aims to explore how digital installations and interventions in the context of museum exhibitions envision the notion of the ‘dialogic museum’. It particularly aims to articulate and problematize the role of digital in...
La conservation des quartiers anciens ne se réalise probablement jamais sans être accompagnée de tensions sociales de différentes sortes. Si, dans les années 1960 et 1970, de nombreux projets ont pu être motivés par la résistance citoyenne aux formes les plus néfastes de la rénovation urbaine, aujourd’hui, on a l’impression que la volonté de conserver le patrimoine urbain aboutit presque systématiquement à la «gentrification – un terme qui ne renvoie pas uniquement à l’embourgeoisement d’un...
In endeavouring to answer the question "What does heritage change?" this proposed session, "Fashioning Heritage," will call for papers that critically examine the way in which one of the main functions of dress is to locate or position individuals and communities in space and time. The temporal realm can be conceived as personally transitioning from and through certain life stages, being culturally defined as well as conceiving gender differently by dress and textiles. Transitions are visuall...
Inscrite à l’origine dans le cadre d’un projet ANR, « ANTIMOINE » , cette proposition de session suggère une vision novatrice des outils nécessaires à la constitution de savoirs relatifs aux activités humaines situées (anthropologie des territoires), savoirs élaborés à partir d'objets du patrimoine et de leur interprétation (lecture). Eu égard à la réalité caractérisant les systèmes d'informations patrimoniaux qui fonctionnent essentiellement à partir de mots-clés avec une prise en compte ...
The constructed and political nature of heritage claims is now acknowledged across the disciplines, and increasingly even among heritage professionals. But already Eric Hobsbawm and Terence Ranger, in their seminal The invention of tradition, had proclaimed that “all invented traditions, so far as possible, use history as a legitimator of action and cement of group cohesion” (1983:12). So rather than simply diagnosing heritage as being constructed, as such (ab-)use of history, their challenge...
Les arts du spectacle, les événements festifs, les rituels, les récits oraux, les savoir-faire font désormais pleinement partie du patrimoine culturel au même titre que les collections d’objets et les monuments. La Convention sur le patrimoine immatériel adoptée en 2003 par l’UNESCO vise à assurer leur reconnaissance culturelle à l’échelle locale, nationale, et internationale, ainsi que leur sauvegarde. Ces pratiques culturelles et artistiques se distinguent toutefois des objets patrimonia...
Much is being made of the perceived breakdown of the nation-state, which was historically configured as a “container” of heritage formations, adopting and perusing local traditions where possible but oppressing them where deemed unsuitable. Migration is seen as eroding the rigid boundaries of this configuration, potentially liberating identities and heritages in the process. This session addresses the relationship between critical heritage and redefinitions of self, other, community and place...
Heritagization (the various means by which cultural features—either material or immaterial—are turned into a people’s heritage) has recently become, for Amerindian groups, a major means to gain visibility and recognition in the new Latin American social and political landscapes where cultural diversity is endowed with an increasingly critical role. Different forms of cultural heritagization have largely been studied elsewhere, particularly in North America. However, they are far less known in...
With sustainable development gaining momentum as a priority of UNESCO heritage policies, an increasing number of food-related nominations are being submitted for inscription on the lists of the Convention for the safeguarding of the intangible cultural heritage. The Mediterranean diet, traditional Mexican cuisine and the Japanese dietary culture of washoku are just some examples of this booming phenomenon. Since food and foodways are powerful references for self-representation and ident...
This session explores the different ways late modern states control and translate heritage, both their own and that of others. While modern governments have always played a role in the production and authorization of heritage, late modern states have unprecedented command over the heritage landscape. Coinciding with the postwar economic boom, globalization, and most recently neoliberalism, the state has come to dominate the most vital aspects of heritage, ranging from research (heritage produ...
The notion of heritage is closely linked to processes of change. In the Western context, the definition of heritage as "a contemporary product shaped from history" (Harvey 2010) highlights the extent to which our relationship with the past is being continually re-configured. However, there is a future dimension implied in this relationship that is often neglected; to paraphrase William Morris, the sense in which heritage testifies to the hopes and aspirations of those now passed away. Making ...
We would like to propose a session, building on the one we ran at the 2014 CHS conference in Canberra, on how emotion and affect feature in the fields of heritage and museums studies, memory studies, public history, heritage tourism, studies of the built and urban environment, conservation, archives and any field of study that deals with the emotional impact and use of the past in the present. There is an increasing interest in how emotion is a form of judgement on things that affect ou...
With regard to the main question of the 3rd ACHS Biennial Conference, "What does heritage change?" the convenors of this session propose ethnographic evidence of contradictory spheres of value by showing how encounters between official rhetorics of heritage and borderline/illegal ethics and objects produce social change. In particular, they explore, through an inclusive approach, the social and political constructions of heritage by questioning the aesthetic dichotomies of beauty/ugliness, pr...
"What does heritage change?" is a multifaceted question to which the answer(s) are in primary respects related to real-life negotiations among different groups of citizens, cultures, races, ethnic groups, sexual identities, and social classes about received, official and/or widely accepted or accomodated intangible attributes, cultural traditions, historic monuments, buildings, and other transmitted or revived historical legacies. Heritage designated by and for whom, for what motivations, an...
Directed by Tom Fassaert and presented by Marc Jacobs. ___ Doel, a Belgian village near the Dutch border, is disappearing quickly and deliberately. Not because of the four old nuclear reactors on its territory, but because the Flemish government decided that the village might block projects for new docks for the Antwerp harbour, plans developed since the 1960s. In the 21st century this process of officially encouraged depopulation is coming to an end: 2500 inhabitants i...