
I have worked in the cultural sector for over seventeen years, acquiring skills in collections management and arts administration. I worked as a museum specialist at the National Gallery of Art (Washington, D.C.) and as research assistant for the Repatriation Office at the Smithsonians National Museum of Natural History (Washington, D.C.). Most recently, I worked as a researcher at the Pankhurst Center Heritage Museum (Manchester) and the Prisons Memory Archive (Belfast). My research on the repertoires of agency and resistance in feminist music production, distribution and archival practice was published in the edited volume Suffragette Legacy: How Does the History of Feminism Inspire Current Thinking in Manchester in 2015. I hold a BA in Liberal Arts from The Evergreen State College, a MA in Arts Administration and Policy from the School of the Art Institute of Chicago, and a MA in Creative and Critical Analysis from Goldsmiths University London. I am currently a doctoral candidate at the Institute for Cultural Practices at the University of Manchester and serve as a trustee for the Manchester District Music Archive. My paper for ACHS 2016 was made possible through the generous support of the Society for Theatre Reseach and the British Sociological Association.
Sessions in which Sarah Feinstein participates
9:00
9:00
- 12.00 A History of Violence: The Heritage Management of Ebrington Barracks (Derry/Londonderry)
- Participant Sarah Feinstein (University of Manchester) |
- 9:00 - 9:30 | 30 minutes Part of: Contested Pasts: Urban Heritage in Divided Cities
- The photographic evidence of life in Northern Ireland/the north of Ireland from 1969 to 1998 depicts the material culture of conflict: check poi...
- Paper
Sessions in which Sarah Feinstein attends
7:00
7:00
- Registration UQAM, pavillon J.-A. De Sève (DS) - DS Main hall
- 7:00 - 19:00 | 12 hours
8:00
8:00
- Morning Coffee UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 8:00 - 10:00 | 2 hours
- Pause
9:00
9:00
- Keynote : What does heritage change? Le patrimoine, ça change quoi? (Lucie K. Morisset)
- Signup required UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 9:00 - 10:00 | 1 hour
- What if we changed our views on heritage? And if heritage has already changed? While, on the global scene, s...
- Keynote with simultaneous translation / Conférence avec traduction simultanée

11:00
11:00
- Cultural Contestation: Politics and Governance of Heritage UQAM, pavillon J.-A. De Sève (DS) - DS-1950
- 11:00 - 17:00 | 6 hours
- Heritage practices often lead to social exclusion. As an "Authorized Heritage Discourse" (AHD) (Smith 2006) may define what is considered to be her...
- Regular session
13:30
13:30
- 14.30 Heritage Changes Lives: How Partnerships between Museums and Community Organizations are Making Positive Differences to People’s Lives
- Participant Laura Crossley (University of Leicester) |
- 13:30 - 14:00 | 30 minutes Part of: History Museums, Heritage and Visitors
- Research has painted an often-gloomy picture of the impact of the financial cuts on museums. A 2014 Museums Association (MA) survey found that 4...
- Paper
18:30
18:30
- Keynote: Is Tangible to Intangible as Formal is to Informal ? (Michael Herzfeld)
- Signup required UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 18:30 - 20:00 | 1 hour 30 minutes
- Most of what we experience as heritage emerges into conscious recognition through a complex mixture of political and ideological filters, including...
- Keynote with simultaneous translation / Conférence avec traduction simultanée

7:30
7:30
- Discovering katajjaniq – Nunavik’s Inuit throat singing | À la découverte du katajjaniq – le chant de gorge inuit du Nunavik
- Signup required UQAM, pavillon Judith-Jasmin (J) - Salle des boiseries (J-2805)
- 7:30 - 8:30 | 1 hour
- In English and French The two Inuit artists Nina Segalowitz and Taqralik Partridge are offering us an initiation to katajjaniq, this thousand...
- Event
9:00
9:00
- Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion I UQAM, pavillon J.-A. De Sève (DS) - DS-2518
- 9:00 - 12:30 | 3 hours 30 minutes
- We would like to propose a session, building on the one we ran at the 2014 CHS conference in Canberra, on how emotion and affect feature in the fie...
- Regular session
14:00
14:00
- Keynote: Renaming, Removal, Recontextualization of Heritage: Purging History, Claiming the Present, Imagining the Future? (What Change-Role for Heritage Professionals?) (James Count Early)
- Signup required Musée des Beaux-Ars de Montréal - Cummings Auditorium
- 14:00 - 15:30 | 1 hour 30 minutes
- "What does heritage change?" is a multifaceted question to which the answer(s) are in primary respects related to real-life negotiations among dif...
- Keynote with simultaneous translation / Conférence avec traduction simultanée

9:00
9:00
- Contested Pasts: Urban Heritage in Divided Cities Concordia, John Molson School of Business Building (MB) - MB 3.285
- 9:00 - 15:00 | 6 hours
- This session seeks to explore the role of urban heritage in mediating and contesting political conflict in the context of divided cities. We take u...
- Regular session
9:00
9:00
- Co-Production in Heritage: Towards New Imaginaries. Part II. Co-Production, Conservation and Memory; Co-Production and the Professional Imaginary Concordia, John Molson School of Business Building (MB) - MB S1.401
- 9:00 - 15:00 | 6 hours
- Involving communities, visitors or the public is frequently presented as one of the major tasks of museums and heritage sites in current global mov...
- Regular session
- 10.00 Humorous Becomings: Exploring Empathy Through the Use of "Craic" in Tours of Belfast's Murals
- Participant Ms Katie Markham (sskjm@leeds.ac.uk) |
- 9:00 - 9:30 | 30 minutes Part of: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- “Is it a problem . . . that the Irish is always up for the crack?” asked Ali G of Sinn Fèin MLA Sue Ramsey, a mere year after the signing of the...
- Paper
- 09.00 Caring (or Not) about the Beamish Museum: The Co-Production and Co-Enactment of Affective Heritage
- Participant Dr Sarah De Nardi (Durham University) |
- 9:00 - 9:30 | 30 minutes Part of: Co-Production in Heritage: Towards New Imaginaries. Part II. Co-Production, Conservation and Memory; Co-Production and the Professional Imaginary
- The poetics of heritage co-production works as a connective tissue between heritage publics, practitioners and heritage objects through material...
- Paper
15:30
15:30
- Critical Heritage Studies in the UK: Future Directions Concordia, John Molson School of Business Building (MB) - MB 5.215
- 15:30 - 17:00 | 1 hour 30 minutes
- What is the future of the UK and what is the role of heritage in this shifting political landscape? How have debates on heritage in the UK chang...
- Roundtable