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Sarah Feinstein

University of Manchester
Participe à 1 Session
I have worked in the cultural sector for over seventeen years, acquiring skills in collections management and arts administration. I worked as a museum specialist at the National Gallery of Art (Washington, D.C.) and as research assistant for the Repatriation Office at the Smithsonians National Museum of Natural History (Washington, D.C.). Most recently, I worked as a researcher at the Pankhurst Center Heritage Museum (Manchester) and the Prisons Memory Archive (Belfast). My research on the repertoires of agency and resistance in feminist music production, distribution and archival practice was published in the edited volume Suffragette Legacy: How Does the History of Feminism Inspire Current Thinking in Manchester in 2015. I hold a BA in Liberal Arts from The Evergreen State College, a MA in Arts Administration and Policy from the School of the Art Institute of Chicago, and a MA in Creative and Critical Analysis from Goldsmiths University London. I am currently a doctoral candidate at the Institute for Cultural Practices at the University of Manchester and serve as a trustee for the Manchester District Music Archive. My paper for ACHS 2016 was made possible through the generous support of the Society for Theatre Reseach and the British Sociological Association.

Sessions auxquelles Sarah Feinstein participe

Lundi 6 Juin, 2016

Fuseau horaire: (GMT-05:00) Eastern Time (US & Canada)

Sessions auxquelles Sarah Feinstein assiste

Samedi 4 Juin, 2016

Fuseau horaire: (GMT-05:00) Eastern Time (US & Canada)
9:00 - 10:00 | 1 heure
Public event
Simultaneous translation - Traduction simultanée

What if we changed our views on heritage? And if heritage has already changed? While, on the global scene, states maintain their leading role in the mobilization of social and territorial histories, on the local scale, regions, neighbourhoods and parishes have changed. Citizens and communities too: they latch on to heritage to express an unprecedented range of belongings that no law seems to be able to take measures to contain, often to the discontent of...

Lucie Morisset

18:30 - 20:00 | 1 heure 30 minutes
Public event
Simultaneous translation - Traduction simultanée

Most of what we experience as heritage emerges into conscious recognition through a complex mixture of political and ideological filters, including nationalism.  In these processes, through a variety of devices (museums, scholarly research, consumer reproduction, etc.), dualistic classifications articulate a powerful hierarchy of value and significance.  In particular, the tangible-intangible pair, given legitimacy by such international bodies as UNESCO, reproduces a selective ordering of cul...

Dimanche 5 Juin, 2016

Fuseau horaire: (GMT-05:00) Eastern Time (US & Canada)
7:30 - 8:30 | 1 heure

In English and French The two Inuit artists Nina Segalowitz and Taqralik Partridge are offering us an initiation to katajjaniq, this thousand years old autochthonous expression of overtone singing which consists of an alternate dialogue of inhaled and exhaled guttural and vocal sounds. Throat singing is practiced just like a game: two women facing and challenging one another until one of them either laughs or runs out of breath. (Meeting point: DS Registration table) _...

14:00 - 15:30 | 1 heure 30 minutes
Co-Construction and Community Based HeritageHeritage Changes the Social OrderCitizenshipPublic event
Simultaneous translation - Traduction simultanée

"What does heritage change?" is a multifaceted  question to which the answer(s) are in primary respects related to real-life negotiations among different groups of citizens, cultures, races, ethnic groups, sexual identities, and social classes about received, official and/or widely accepted or accomodated intangible attributes, cultural traditions, historic monuments, buildings, and other transmitted or revived historical legacies. Heritage designated by and for whom, for what motivations, an...