Sessions in which Josée Laplace participates
Thursday 26 May, 2022
Les églises - en dehors du culte - conservent quelque chose d’éminemment distinct pour les visiteurs. Qu’elles soient petites ou grandes, elles produisent des effets qu’on ne retrouve généralement pas dans d’autres types d’architecture. Elles ont laissé des empreintes fortes sur ceux et celles qui les ont fréquentées, mais leurs qualités spécifiques façonnent une expérience en elle-même significative.Cette communication rendra compte d’une recherche en cours qui entend approfondir l...
Saturday 28 May, 2022
“Felt experiences” have become key components of our understanding of the world in the digital age, which could explain the increase in research on the diversity of the ambiences experienced in built environments. These approaches, which sometimes give privileged access to worldviews or lead to design modes that are more attentive to the experience of users, shed new light on previ...
“Felt experiences” have become key components of our understanding of the world in the digital age, which could explain the increase in research on the diversity of the ambiences experienced in built environments. These approaches, which sometimes give privileged access to worldviews or lead to design modes that are more attentive to the experience of users, shed new light on previ...
Sessions in which Josée Laplace attends
Wednesday 25 May, 2022
We propose a rich and colorful inaugural evening, in a mythical place: Dawson Hall, behind St James United Church (1887-1889, Alexander Francis Dunlop, arch.), known as the "Montreal Methodist Cathedral" - with 2000 seats, it was the largest Methodist church in Canada when it was built. Designated a National Historic Site of Canada in 1996, it escaped demolition in 1980 when it was classified as a historic monument, and then escaped extinction thanks to an ambitious restoration project, in...
Saturday 28 May, 2022
We offer a unique experience for the closing dinner of this conference in Montreal, in the former U.S. pavilion of Expo'67 - the most popular of the exhibition, with 5.3 million visitors: the "geodesic dome" designed by architect Buckminster Fuller (1895-1983) with the collaboration of Shoji Sadao. The self-supporting steel honeycomb structure, covered with a polymer skin, was burned down in 1976 and redeveloped in the 1990s, according to the plans of architect Éric Gauthier, into an envir...