Le patrimoine, ça change quoi ? Ou plutôt, qu'est-ce que c'est ? Et pour qui ? Ces questions sont à l'origine de cette exposition conçue par les étudiants à la maîtrise en muséologie UQAM-UdeM. L'opinion de la communauté uqamienne y est confrontée à des citations de chercheurs, avec comme résultat une mise en perspective originale du discours sur le patrimoine. __ How is heritage important? Or rather, what is heritage? And for whom? Those questions are at the core of this e...

Around the globe the planning of large-scale memorial-museum projects concerned with violent histories are frequently marred by conflict, omission, and competitions of victimhood. This problem also extends to scholarship on genocide and memory. “Moving memory” is a collaborative multi-sited research exhibition about the Armenian and Roma genocides that proposes creative solutions to these museological and scholarly conflicts around commemoration. Our multi-sited event includes two pr...

This proposal makes the case that heritage’s capacity for change may be dependent on a paradigm shift in how heritage is interpreted. With this paradigm shift in play, a question is then asked: Can authenticity be used as a design driver to resolve how best to incorporate the four pillars of sustainability in a building’s design? The proposal begins with a discussion about the difference between using heritage reactively and proactively. It then presents a brief introduction to the...

Heritage has multiple, concurrent origins. It is performed and produced by individuals, groups and organizations, or institutions on various scales. It is a transformative process and thus closely connected to the transitional. In heritage, transitionality may be usefully conceptualized under the rubric of the liminal, which at its core anticipates change and transformation, structure-agency relationships, affect, and human experience—all significant issues in recent theoretical debates in th...

Involving communities, visitors or the public is frequently presented as one of the major tasks of museums and heritage sites in current global movements toward new collaborative paradigms (Golding and Modest 2013; Watson and Waterton 2011). Co-production is a highly current issue, and a proposed emancipatory solution to the authorized heritage discourse, which seemingly has reached a critical juncture. Scholarship has echoed calls from communities for more direct involvement in the presentat...

While historical churches are being abandoned all over the Christian West, more and more places are growing the opposite way: pilgrimage sites are being enlarged and enhanced, whole urban districts are being developed with churches and temples boasting diverse, and often unorthodox, religious practices. Epistemologically linked to heritage, the sacred now seems to follow a path of its own, staging itself in new settings where the “religious heritage” refers mostly to common practices, however...

The roundtable will explore ideas around the concept of insignificance. That is, how things are judged to be unimportant, not worthy of conservation, meaningless, or without substantive power or influence. We will examine this notion in relation to the history, theory, and practical application of significance as a concept and method in heritage. In short, we will discuss the significance of insignificance. The notion of ‘significance’ is central to heritage conservation in many pa...