Sessions auxquelles Jiabao Wang participe
Mardi 7 Juin, 2016
Sessions auxquelles Jiabao Wang assiste
Vendredi 3 Juin, 2016
This forum will explore the current directions of critical heritage studies and what makes ACHS distinctive. Panel members will discuss what the term critical means to them, and what directions they would like to see develop in the future. To help develop an open dialogue, the session will also give considerable time to contributions from the audience.
Welcome addresses and cocktail, followed by the Concordia Signature Event "The Garden of the Grey Nuns". As the opening ceremony and cocktail take place in the former Grey Nuns' Motherhouse, recycled into campus residence and reading rooms by Concordia University, delegates will also have the possibility to discover the video Three Grey Nuns (3 minutes, by Ron Rudin and Phil Lichti. Three Grey Nuns recount their memories of communal life in the Grey Nun’s Motherhouse. Built...
Working with archival documents and the current-day morphology of the Grey Nuns' site, Dr Cynthia Hammond, Dr Shauna Janssen, in collaboration with Dr Jill Didur, will curate a series of installations and performances that speak directly to the rich heritage of a specific urban landscape: the gardens of the Grey Nuns' Motherhouse, now part of the Concordia University downtown campus. Visitors will have the opportunity to explore the lost working gardens of the Grey Nuns. As with other such...
Samedi 4 Juin, 2016
What if we changed our views on heritage? And if heritage has already changed? While, on the global scene, states maintain their leading role in the mobilization of social and territorial histories, on the local scale, regions, neighbourhoods and parishes have changed. Citizens and communities too: they latch on to heritage to express an unprecedented range of belongings that no law seems to be able to take measures to contain, often to the discontent of...
Much is being made of the perceived breakdown of the nation-state, which was historically configured as a “container” of heritage formations, adopting and perusing local traditions where possible but oppressing them where deemed unsuitable. Migration is seen as eroding the rigid boundaries of this configuration, potentially liberating identities and heritages in the process. This session addresses the relationship between critical heritage and redefinitions of self, other, community and place...
This session explores artist-history exchanges in the context of heritage sites, venues and spaces, and considers recent curatorial and artistic interventions and performative strategies, such as decolonial methodologies. Drawing on disciplinary art history, this session approaches heritage sites as strategically re-deployed historic structures that function as representational signs – artifactual objects furnished with other objects that cumulatively and, by virtue of their provenance, pr...
Heritage practices often lead to social exclusion. As an "Authorized Heritage Discourse" (AHD) (Smith 2006) may define what is considered to be heritage, a certain set of social values can come to exclude other values. By formulating heritage policies which reproduce the existing AHD government may further such exclusion. Every now and then AHDs are challenged, leading to what political scientists like Ross (2007; 2009) call "cultural contestations" between groups. These are surrounded ...
Industrial heritage in Britain has tended to be romanticised in museum ‘cathedrals’ and ‘theme parks’ (like Beamish), with workers’ lived experience subordinated to the machines, buildings and physical artefacts that dominate these spaces. Here workers’ lives are more often than not celebrated rather than critically reconstructed and interpreted. The politics, class relations and struggle, violence, poverty and murkier side of working life is increasingly being neglected as the past is san...
The contemporary movement of heritagization, characterized by a multiple expansion (typological, chronological, spatial) of heritage and of heritage producers (local actors, inhabitants, social groups, national states, international players), nourishes also the production of alternative heritage. By this expression, we wish to focus on non-institutional, dissonant, under-recognized heritage, located on the “pioneer front” of contemporary heritage production. Alter-heritage represents, therefo...
In recent decades, the growth of the World Heritage industry has necessitated the reconsideration of scale. Formerly dominated by nation-states, some influential international organizations such as UNESCO and its advisory bodies (ICOMOS and IUCN) are now taking a strong role in decision-making through policy-making and implementation. Despite the power of the transnational organization and its relation with states parties, there is a growth of regionalism and “localism” in the heritage indust...
Most of what we experience as heritage emerges into conscious recognition through a complex mixture of political and ideological filters, including nationalism. In these processes, through a variety of devices (museums, scholarly research, consumer reproduction, etc.), dualistic classifications articulate a powerful hierarchy of value and significance. In particular, the tangible-intangible pair, given legitimacy by such international bodies as UNESCO, reproduces a selective ordering of cul...
Dimanche 5 Juin, 2016
We would like to propose a session, building on the one we ran at the 2014 CHS conference in Canberra, on how emotion and affect feature in the fields of heritage and museums studies, memory studies, public history, heritage tourism, studies of the built and urban environment, conservation, archives and any field of study that deals with the emotional impact and use of the past in the present. There is an increasing interest in how emotion is a form of judgement on things that affect ou...
Russell Staiff argues that heritage discourse and practice are tightly interwoven with the theoretical legacy of the visual arts, specifically citing the shared concerns of formalism, iconography, aesthetics and modernism (“Heritage and the Visual Arts” 2015). Yet craft, as a field of knowledge, is often subsumed under the visual arts, when in fact its materialities, functionality, concerns about skill and preoccupation with the local (whether understood as geographically or politically const...
"What does heritage change?" is a multifaceted question to which the answer(s) are in primary respects related to real-life negotiations among different groups of citizens, cultures, races, ethnic groups, sexual identities, and social classes about received, official and/or widely accepted or accomodated intangible attributes, cultural traditions, historic monuments, buildings, and other transmitted or revived historical legacies. Heritage designated by and for whom, for what motivations, an...
Lundi 6 Juin, 2016
Dominique Fontaine / Livia Daza-Paris, A video and photographic installation. (All Day Installation) Livia Daza-Paris presents an investigative work, which considers grief, political displacement and how they inhabit one’s own body and place of dwelling. The visits (of which there were none) Episode N. 2; is a segment being developed in Montreal as part of On Antigone Steps: poetic forensics of t...
Cities are growingly being faced by social, economic, cultural and environmental challenges imposing health and social risks. Rapid urbanization, population growth, climate change are only some of the major global challenges that a 21st century city needs to respond to. The current challenging global environment has led to the development of new approaches to the concept of "sustainable city" a city that caters for current and future generation. For instance, the idea of smart city (a city th...
Around the globe the planning of large-scale memorial-museum projects concerned with violent histories are frequently marred by conflict, omission, and competitions of victimhood. This problem also extends to scholarship on genocide and memory. “Moving memory” is a collaborative multi-sited research exhibition about the Armenian and Roma genocides that proposes creative solutions to these museological and scholarly conflicts around commemoration. Our multi-sited event includes two pr...
Le patrimoine fait aujourd’hui l’objet d’attentions autant que d’agressions et de destructions. Cela peut s’expliquer par les difficultés de son identification ou de sa conservation. Cela peut plus profondément s’expliquer parce que, dès le départ, il célébre un événement ou conserve une mémoire qui peut être ou devenir une source de dissenssions et de conflits politiques. Enfin, sa reconnaissance suscite des gains économiques pour les uns mais des pertes pour les autres. Mais peut-être...
Mardi 7 Juin, 2016
As the interface between past and present, heritage is deeply involved in articulations of personal and group identity, working to unite and harmonize group relations, and, simultaneously causing frictions, fractions, and violence. Critical heritage theory reveals that values and approaches to heritage are articulated both within and across regions (such as Asia, or Europe). A vital, and as yet unanswered, question centres on the degree to which heritage in Asia fundamentally differs from ...