
Catherine Charlebois est responsable des expositions et des collections au Centre d’histoire de Montréal à titre de muséologue. Depuis son arrivée en 2009, elle a coordonnée de multiples projets d’exposition où l’histoire orale occupe une place prépondérante et novatrice: Les Habitations Jeanne-Mance. 50 ans d’histoireS, Quartiers disparus et Scandale! Vice, crime et moralité à Montréal, 1940-1960. Ces divers projets l’ont entraîné à se spécialiser dans la mise en exposition des témoignages oraux dans les musées d’histoire. Elle est la co-auteure du livre Quartiers disparus Red Light, Faubourg à m’lasse, Goose village(2014) et de l’article scientifique Les sources orales au cœur de l’exposition muséale. L’expérience du Centre d’histoire de Montréal à paraître prochainement dans la Revue d’histoire d’Amérique française. Précédemment à son travail au Centre d’histoire de Montréal, elle a œuvré à titre de coordonatrice des programmes éducatifs au Musée McCord et comme conservatrice au Museum Village (Monroe, NY). Elle est graduée au Baccalauréat spécialisé en Histoire de l’Université de Montréal et détient une maîtrise en muséologie des musées d’histoire du Cooperstown Graduate Program (Cooperstown, NY).
Catherine Charlebois is the curator of exhibition and collection at the Centre d’histoire de Montréal (Montreal’s History Center). Since her arrival in 2009, she has coordinated several award winning museum exhibitions where oral history is use as a primary source of documentation and interpretation: The Habitations Jeanne-Mance. 50 years of HistorieS, Lost Neighbourghoods and Scandal! Vice, Crime and Morality in Montreal, 1940-1960. These projects has inspired her to focus her work on curating personal testimonies in history museums. She is the author of a several articles on the subject and co-author of the award winning book Quartiers disparus. Red Light, Faubourg à m’lasse, Goose village(2014). Prior to this, Ms.Charlebois worked at the McCord Museum of Canadian History as an educational coordinator and at the Museum Village (Monroe, NY) as a curator. She is an alumni of the Cooperstown Graduate Program from which she received her MA in History Museum Studies in 2000.
Catherine Charlebois is the curator of exhibition and collection at the Centre d’histoire de Montréal (Montreal’s History Center). Since her arrival in 2009, she has coordinated several award winning museum exhibitions where oral history is use as a primary source of documentation and interpretation: The Habitations Jeanne-Mance. 50 years of HistorieS, Lost Neighbourghoods and Scandal! Vice, Crime and Morality in Montreal, 1940-1960. These projects has inspired her to focus her work on curating personal testimonies in history museums. She is the author of a several articles on the subject and co-author of the award winning book Quartiers disparus. Red Light, Faubourg à m’lasse, Goose village(2014). Prior to this, Ms.Charlebois worked at the McCord Museum of Canadian History as an educational coordinator and at the Museum Village (Monroe, NY) as a curator. She is an alumni of the Cooperstown Graduate Program from which she received her MA in History Museum Studies in 2000.
Sessions auxquelles Catherine Charlebois participe
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9:00
- 09.30 Documentaires et dialogues citoyens : des « artéfacts » au coeur de l'exposition muséale. L'expérience du Centre d'histoire de Montréal
- Participant.e Catherine Charlebois (Centre d'histoire de Montréal) |
- 9:00 - 9:30 | 30 minutes Partie de: Envisioning the Dialogic Museum through Digital Interventions
- Paper
Sessions auxquelles Catherine Charlebois assiste
9:00
9:00
- 09.00 Reflecting the "Other": Digital Museum Installations as Sites of Dialogue
- Participant.e Prof. Rhiannon Mason | Participant.e Dr Areti Galani (Newcastle University, UK) |
- 9:00 - 9:30 | 30 minutes Partie de: Envisioning the Dialogic Museum through Digital Interventions
- Paper
- 11.00 To and from Youth: Co-producing a Learning Program on Digital Democracy with Youths
- Participant.e Torhild Skåtun (Norwegian Museum of Science and Technology ) |
- 9:00 - 9:30 | 30 minutes Partie de: Envisioning the Dialogic Museum through Digital Interventions
- Paper
- 10.00 Digital vs Tangible: How Museum Visitors Experience Participation and What It Means to Them
- Participant.e Rachael Coghlan (Australian National University) |
- 9:00 - 9:30 | 30 minutes Partie de: Envisioning the Dialogic Museum through Digital Interventions
- Paper
9:00
9:00
- 09.20 The Role of Empathy and Affect in Pro-Social Museum Transformations
- Participant.e Mr Lachlan Dudley (Australian National University) |
- 9:00 - 9:30 | 30 minutes Partie de: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
- 11.00 Found; Finding; Foundling, Mine: Searching for the Voice of the Historical Child in the Foundling Museum
- Participant.e Miss Rachel Emily Taylor (Sheffield Hallam University) |
- 9:00 - 9:30 | 30 minutes Partie de: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
- 15.50 Jean-Paul Gill's 1957 Red Light Photographs: A Heuristic Archive
- Participant.e Philippe Guillaume (Concordia University) |
- 9:00 - 9:30 | 30 minutes Partie de: What does Photography Preserve? Reification and Ruin in the Photographic Heritage of a Place Called Montreal
- Paper
- 12.00 Democratizing the Museum: An Interdisciplinary Approach to Understanding the Politics of Participation
- Participant.e Rachael Coghlan (Australian National University) |
- 9:00 - 9:30 | 30 minutes Partie de: “For People Then and for People Now”: Approaches to Heritage and Shared Authority
- Paper
- 09.00 Caring (or Not) about the Beamish Museum: The Co-Production and Co-Enactment of Affective Heritage
- Participant.e Dr Sarah De Nardi (Durham University) |
- 9:00 - 9:30 | 30 minutes Partie de: Co-Production in Heritage: Towards New Imaginaries. Part II. Co-Production, Conservation and Memory; Co-Production and the Professional Imaginary
- Paper
- 11.40 Immediate Emotion: Articulating Historical Consciousness and Heritage in Oral Histories
- Participant.e Ms Jessica Douthwaite (University of Strathclyde) |
- 9:00 - 9:30 | 30 minutes Partie de: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
- 10.00 The Role of Co-Production in Addressing Difficult Pasts and Futures
- Participant.e Dr Bryony Onciul (Univerisity of Exeter) |
- 9:00 - 9:30 | 30 minutes Partie de: Co-Production in Heritage: Towards New Imaginaries. Part II. Co-Production, Conservation and Memory; Co-Production and the Professional Imaginary
- Paper
- 14.00 Co-Production in Heritage: Toward New Imaginaries
- Participant.e ms Kayte McSweeney (British Museum) |
- 9:00 - 9:30 | 30 minutes Partie de: Co-Production in Heritage: Towards New Imaginaries. Part II. Co-Production, Conservation and Memory; Co-Production and the Professional Imaginary
- Paper
- 11.40 Expo 67, Revisited and Recycled
- Participant.e Johanne Sloan (Concordia University) |
- 9:00 - 9:30 | 30 minutes Partie de: What does Photography Preserve? Reification and Ruin in the Photographic Heritage of a Place Called Montreal
- Paper
13:30
13:30
- Thinking Through the Museum: Difficult Knowledge in Public Concordia, John Molson School of Business Building (MB) - MB S1.430
- 13:30 - 15:00 | 1 heure 30 minutes
- Roundtable
15:30
15:30
- Museums and Historical Consciousness: Emergent Themes in Theory and Practice Concordia, John Molson School of Business Building (MB) - MB S1.115
- 15:30 - 17:00 | 1 heure 30 minutes
- Roundtable