There are many different kinds of migrants in the contemporary world. They include the familiar figures of refugees or undocumented migrants, associated with and suffering from exclusionary practices, poverty, silencing or repressions; skilled migrants with economic resources but lacking the tools for cultural and social integration; migrants or second generation migrants returning to their homelands and becoming "strangers" there; people moving to several countries as global nomads, etc. An ...

International exhibitions have long been promoted for their potential to connect people, objects and stories across political, cultural and geographical divides. Recent commentators have linked touring exhibitions to cultural globalization, diplomacy and the advancement of intercultural understanding, while others have critiqued them as revenue generators driven by public appeal or as "politically-safe" forms of national branding. Very few studies, however, have attempted to empirically inves...

Involving communities, visitors or the public is frequently presented as one of the major tasks of museums and heritage sites in current global movements toward new collaborative paradigms (Golding and Modest 2013; Watson and Waterton 2011). Co-production is a highly current issue, and a proposed emancipatory solution to the authorized heritage discourse, which seemingly has reached a critical juncture. Scholarship has echoed calls from communities for more direct involvement in the presentat...