
Sarah Harvey Richardson is a third year PhD candidate in the School of Fine Art, History of Art and Cultural Studies, University of Leeds. Her current research is concerned with the concept of ‘audiences’ and audience engagement and development practices in art galleries; in particular an exploration of the juncture between the theoretical and the practical, influenced by her work in gallery education. Other areas of interest include: cultural value, policy (and its relationship to practice), the politics and power of the institution, identity/identification, and, ways of knowing.
Sarah is a member of the Centre for Critical Studies in Museums, Galleries and Heritage, Leeds, and is part of the postgraduate committee working to promote the Cultural Value Research Theme at the University of Leeds. She also has a background in gallery education, with a particular focus on adult learning, and is passionate about the provision of engaging arts experiences for all. She completed her MA in Art Gallery and Museum Studies with Distinction (University of Leeds, 2012), and holds a BA with First Class Honors in Fine Art (Leeds Beckett University, 2008).
Sarah is a member of the Centre for Critical Studies in Museums, Galleries and Heritage, Leeds, and is part of the postgraduate committee working to promote the Cultural Value Research Theme at the University of Leeds. She also has a background in gallery education, with a particular focus on adult learning, and is passionate about the provision of engaging arts experiences for all. She completed her MA in Art Gallery and Museum Studies with Distinction (University of Leeds, 2012), and holds a BA with First Class Honors in Fine Art (Leeds Beckett University, 2008).
Sessions auxquelles Sarah Harvey Richardson participe
11:00
11:00
- 12.00 Understanding "Audience": Exploring Knowledge Production in the Art Gallery
- Participant Sarah Harvey Richardson (University of Leeds) |
- 11:00 - 11:30 | 30 minutes Partie de: Le musée complice : action locale, initiative d’engagement, production en commun
- Paper
Sessions auxquelles Sarah Harvey Richardson assiste
13:00
13:00
- What is Critical Heritage Studies: Open Forum
- Inscription req. Inscrit Sur la liste d'attente Complet UQAM, pavillon J.-A. De Sève (DS) - DS-R520
- 13:00 - 15:00 | 2 heures
- Workshop
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17:00
17:00
- Opening Ceremony and Cocktail
- Inscription req. Inscrit Sur la liste d'attente Complet Concordia, Grey Nuns Motherhouse (GN) - Former Chapel
- 17:00 - 19:30 | 2 heures 30 minutes
- Cocktail
9:00
9:00
- Keynote : What does heritage change? Le patrimoine, ça change quoi? (Lucie K. Morisset)
- Inscription req. Inscrit Sur la liste d'attente Complet UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 9:00 - 10:00 | 1 heure
- Keynote with simultaneous translation / Conférence avec traduction simultanée
11:00
11:00
- 13.50 Interventions in a Shrine: Contemporary Art and the Legacy of the Brontes
- Participant Nick Cass (University of Leeds, United Kingdom) |
- 11:00 - 11:30 | 30 minutes Partie de: The Artistry of Heritage
- Paper
- Le musée complice : action locale, initiative d’engagement, production en commun UQAM, pavillon J.-A. De Sève (DS) - DS-M340
- 11:00 - 12:30 | 1 heure 30 minutes
- Regular session
- Heritage Futures / Utopian Currents I UQAM, pavillon J.-A. De Sève (DS) - DS-R515
- 11:00 - 17:00 | 6 heures
- Regular session
12:30
12:30
- Lunchboxes | Boîtes à lunch UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 12:30 - 13:30 | 1 heure
- Repas
18:30
18:30
- Keynote: Is Tangible to Intangible as Formal is to Informal ? (Michael Herzfeld)
- Inscription req. Inscrit Sur la liste d'attente Complet UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 18:30 - 20:00 | 1 heure 30 minutes
- Keynote with simultaneous translation / Conférence avec traduction simultanée
9:00
9:00
- Re-Writing History in the Time of Late Capitalism : Uses and Abuses of Built Heritage UQAM, pavillon J.-A. De Sève (DS) - DS-R525
- 9:00 - 12:30 | 3 heures 30 minutes
- Regular session
- 10.00 The "War to End War": Utopian Dreams and Lost Opportunities of First World War Heritage
- Participant David Harvey (University of Exeter, UK) |
- 9:00 - 9:30 | 30 minutes Partie de: Heritage Futures / Utopian Currents II
- Paper
- 11.20 The Rhetoric of Looking: The Case of the National Gallery in London after WWII
- Participant Ana Baeza-Ruiz (University of Leeds) |
- 9:00 - 9:30 | 30 minutes Partie de: Reflection, Selection, Deflection: Rhetoric in the Global Pursuit of Heritage
- Paper
9:00
9:00
- Flexible Scales and Relational Territoriality in the Meaning-Making of Cultural Heritage Concordia, John Molson School of Business Building (MB) - MB 3.445
- 9:00 - 15:00 | 6 heures
- Regular session
- 11.30 Acting on the Body: Heritage as a Governing Strategy for Disciplining the Female Body in Twentieth-Century Iceland
- Participant Ólafur Rastrick (University of Iceland) |
- 9:00 - 9:30 | 30 minutes Partie de: Critical Heritage Theory: Foundational Cores and Innovative Edges
- Paper
- 09.20 All and Each: The Dynamics of Scale in Digital Heritage Cultures
- Participant Elizabeth Stainforth (University of Leeds, History of Art and Cultural Studies, United Kingdom ) | Participant Rhiannon Bettivia (University of Illinois, Urbana-Champaign) |
- 9:00 - 9:30 | 30 minutes Partie de: Politics of Scale: A New Approach to Heritage Studies II
- Paper
- 14.00 Keeping Critical Heritage Studies Critical: Why "Post-Humanism" and the "New Materialism" Are Not So Critical
- Participant Laurajane Smith (Australian National University) | Participant Gary Campbell (ANU) |
- 9:00 - 9:30 | 30 minutes Partie de: Critical Heritage Theory: Foundational Cores and Innovative Edges
- Paper
- Critical Heritage Theory: Foundational Cores and Innovative Edges Concordia, John Molson School of Business Building (MB) - MB 3.435
- 9:00 - 15:00 | 6 heures
- Regular session
- 14.30 The Role of the Critical Heritage Theorist
- Participant Melissa F. Baird (Michigan Technological University, Department of Social Sciences, United States) |
- 9:00 - 9:30 | 30 minutes Partie de: Critical Heritage Theory: Foundational Cores and Innovative Edges
- Paper
15:30
15:30
- Keynote: Il n'est de patrimoine qu'au futur...| Only in the future will it be heritage... (Xavier Greffe)
- Inscription req. Inscrit Sur la liste d'attente Complet Concordia, John Molson School of Business Building (MB) - MB 1.210
- 15:30 - 17:00 | 1 heure 30 minutes
- Keynote with simultaneous translation / Conférence avec traduction simultanée
9:00
9:00
- Co-Production in Heritage: Towards New Imaginaries. Part II. Co-Production, Conservation and Memory; Co-Production and the Professional Imaginary Concordia, John Molson School of Business Building (MB) - MB S1.401
- 9:00 - 15:00 | 6 heures
- Regular session
15:30
15:30
- Critical Heritage Studies in the UK: Future Directions Concordia, John Molson School of Business Building (MB) - MB 5.215
- 15:30 - 17:00 | 1 heure 30 minutes
- Roundtable
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