Andrea Terry is an art historian specializing in Canadian material and visual culture, with a particular interest in critical museum studies. Teaching and working with students of all ages is her foremost passion, and she has taught art history classes at universities across Canada, including Queen's University in Kingston, ON, Carleton University in Ottawa, ON, Mount Allison University in Sackville, NB, and most recently Lakehead University. She received her PhD in art history from Queen's University (2010) and earned a Social Sciences and Humanities Postdoctoral Research Fellowship, which she completed at the School of Canadian Studies in Carleton University (2010-2). She is also the author of Family Ties: Living History in Canadian House Museums, published by McGill-Queen’s University Press, 2015. For more info on this book, see http://www.mqup.ca/family-ties-products-9780773545625.php
Sessions auxquelles Andrea Terry participe
11:00
11:00
- The Artistry of Heritage UQAM, pavillon J.-A. De Sève (DS) - DS-M460
- 11:00 - 17:00 | 6 heures
- Regular session
- 16.10 “The Lure of the Local”: Unpacking Colville House, Sackville, New Brunswick
- Participant.e Andrea Terry (Lakehead University) |
- 11:00 - 11:30 | 30 minutes Partie de: The Artistry of Heritage
- Paper
Sessions auxquelles Andrea Terry assiste
17:00
17:00
- Opening Ceremony and Cocktail
- Inscription req. Concordia, Grey Nuns Motherhouse (GN) - Former Chapel
- 17:00 - 19:30 | 2 heures 30 minutes
- Cocktail
9:00
9:00
- Keynote : What does heritage change? Le patrimoine, ça change quoi? (Lucie K. Morisset)
- Inscription req. UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 9:00 - 10:00 | 1 heure
- Keynote with simultaneous translation / Conférence avec traduction simultanée
9:00
9:00
- 12.00 Mural, Mural on the Wall, Did Scorn and Pretense Make You Fall?
- Participant.e John Leroux (University of New Brunswick, Canada) |
- 9:00 - 9:30 | 30 minutes Partie de: Current Research II: Engaging and Uncovering Collective Memories
- Paper
- 09.00 Empathy as a Register of Engagement in Heritage Making: The Making and Withholding of Compassion
- Participant.e Laurajane Smith (Australian National University) |
- 9:00 - 9:30 | 30 minutes Partie de: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion I
- Paper
14:00
14:00
- Keynote: Renaming, Removal, Recontextualization of Heritage: Purging History, Claiming the Present, Imagining the Future? (What Change-Role for Heritage Professionals?) (James Count Early)
- Inscription req. Musée des Beaux-Ars de Montréal - Cummings Auditorium
- 14:00 - 15:30 | 1 heure 30 minutes
- Keynote with simultaneous translation / Conférence avec traduction simultanée
9:00
9:00
- 14.00 Keeping Critical Heritage Studies Critical: Why "Post-Humanism" and the "New Materialism" Are Not So Critical
- Participant.e Laurajane Smith (Australian National University) | Participant.e Gary Campbell (ANU) |
- 9:00 - 9:30 | 30 minutes Partie de: Critical Heritage Theory: Foundational Cores and Innovative Edges
- Paper
9:00
9:00
- 11.40 Expo 67, Revisited and Recycled
- Participant.e Johanne Sloan (Concordia University) |
- 9:00 - 9:30 | 30 minutes Partie de: What does Photography Preserve? Reification and Ruin in the Photographic Heritage of a Place Called Montreal
- Paper
- 13.50 Montreal Mansions: Photography, Architecture, and Heritage
- Participant.e Cynthia Hammond (Concordia University, Department of Art History, Canada) |
- 9:00 - 9:30 | 30 minutes Partie de: What does Photography Preserve? Reification and Ruin in the Photographic Heritage of a Place Called Montreal
- Paper
- 09.40 Exploring Perceptive Experiences Through Multi-Sensory Learning
- Participant.e Shauna Rak (McGill University) |
- 9:00 - 9:30 | 30 minutes Partie de: Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II
- Paper
- Empathy and Indifference – Emotional/Affective Routes To and Away from Compassion II Concordia, John Molson School of Business Building (MB) - MB 3.435
- 9:00 - 12:30 | 3 heures 30 minutes
- Regular session
- 09.00 Re-activation: Auteurs and Agency in a Photographic Exhibition
- Participant.e Martha Langford (Concordia University, Departement of Art History, Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art, Canada) |
- 9:00 - 9:30 | 30 minutes Partie de: What does Photography Preserve? Reification and Ruin in the Photographic Heritage of a Place Called Montreal
- Paper
- 09.20 Is the Artist an Unreliable Heritage Archivist?
- Participant.e Clara Gutsche (Concordia University) |
- 9:00 - 9:30 | 30 minutes Partie de: What does Photography Preserve? Reification and Ruin in the Photographic Heritage of a Place Called Montreal
- Paper
13:30
13:30
- Thinking Through the Museum: Difficult Knowledge in Public Concordia, John Molson School of Business Building (MB) - MB S1.430
- 13:30 - 15:00 | 1 heure 30 minutes
- Roundtable
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15:30
15:30
- The Neglected Landscape: How Do We Put Canadian Interiors on the Map? Concordia, John Molson School of Business Building (MB) - MB S1.430
- 15:30 - 17:00 | 1 heure 30 minutes
- Roundtable
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- Museums and Historical Consciousness: Emergent Themes in Theory and Practice Concordia, John Molson School of Business Building (MB) - MB S1.115
- 15:30 - 17:00 | 1 heure 30 minutes
- Roundtable
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