
Prof. Dorit Kluge
Professor in Business Studies (Marketing and Tourism) and Art Historian
HWTK Berlin
Participe à 1 Session
She studied art history, journalism, French and Italian literature in Leipzig (Germany), Metz (France) and Pavia (Italy). Her PhD thesis in art history deals with the very beginning of modern art criticism in France and analyses the writings of Etienne de La Font de Saint-Yenne. She also holds a Master’s degree in business administration with a specialization in service management, marketing, and human resources. She worked in the tourism industry for Thomas Cook in Germany for seven years before she came to France via a governmental exchange programme. From 2006 until 2014 she taught Tourism, Art History, and German language in the department of culture professions as well as in the German department at Blaise Pascal University Clermont-Ferrand where she was appointed maître de conférences in art history in 2013. In April 2014 she was appointed professor at the University of Applied Sciences HWTK Berlin where she is currently teaching business administration, tourism and marketing. A major part of her research work is dedicated to the interaction of art and economics in the 18th century and she is responsible for the research cluster 4 of the HWTK Berlin: “Economic aspects in cultural and artistic processes”. Another main research focus is on didactics and methods of teaching art history, culture, management, and languages in applied contexts such as in tourism studies.
Publications:
Monograph:
Publications:
Monograph:
- Kritik als Spiegel der Kunst. Die Kunstreflexionen des La Font de Saint-Yenne im Kontext der Entstehung der Kunstkritik im 18. Jahrhundert, Kunst- und kulturwissenschaftliche Forschungen, Bd. 7, VDG, Weimar, 2009, ISBN 978-3-89739-622-7
- When art criticism enters early tourist guidebooks. Two case studies from the late 18th century. In: La guida turistica. Luogo d’incontro tra lessico e immagini dei Beni Culturali, Pisa/Florence, 2016. [in preparation]
- La genèse de la critique d’art et son impact sur la peinture. In: Genres littéraires et peintures, ed. by Anne-Sophie Gomez and Nelson Charest, Clermont-Ferrand, Presses universitaires Blaise Pascal, 2015, p. 246-262.
- Kunst und Kunstgeschichte im Deutsch-Unterricht. In: Visuelle Medien im DaF-Unterricht, ed. by Marc Hieronimus, Fachverband Deutsch als Fremdsprache (FaDaF), Göttingen, Universitätsverlag, 2014, p. 195-222.
- Inspiration française et/ou création autonome ? Le réseau des dans la deuxième moitié du XVIIIe siècle. In: Le Salon de l’Académie royale de peinture et sculpture : archéologie d’une institution, ed. by Isabelle Pichet, Paris, Hermann, 2014, p. 57-78.
- Frankreich als Inspirationsquelle oder längst überholtes Modell ? Die Berichterstattung zu den Dresdner Kunstausstellungen 1764-1806. In: Aufklärung und Hofkultur in Dresden, ed. by Roland Kanz and Johannes Süßmann, Das achtzehnte Jahrhundert 37 (2013) 2. Göttingen, Wallenstein Verlag, p. 262-270.
- „Es sollte Porträt seyn, und war Ideal“ Das Bildnis der Johanna Friederike Karoline von Hohenthal, geb. Gräfin Rex. In: Anton Graff – Porträts eines Porträtisten. Berlin, Wolff Verlag, 2013, p. 72-76, 196.
- La Font de Saint-Yenne (1688-1771) – un penseur des Lumières. In: Penser l’art dans la seconde moitié du XVIIIe siècle : théorie, critique, philosophie, histoire, ed. by Christian Michel and Carl Magnusson, collection d’histoire de l’art de l’Académie de France à Rome, n° 15, Rom, 2013, p. 205-219.
- Une œuvre d’art comme bien économique ? La politique artistique, les arts et la critique d’art en Saxe dans la deuxième moitié du XVIIIe siècle. In: Circulations et réseaux transnationaux en Europe (XVIIIe-XXe siècles). Acteurs, pratiques, modèles, ed. by Landry Charrier, Karine Rance, Friederike Spitzl-Dupic, Collection Convergences vol. 72, Bern, Peter Lang, 2013, p. 145-155.
Sessions auxquelles Prof. Dorit Kluge participe
13:30
13:30
- 15.30 Rebalancing Tourism and Heritage: Creative Approaches and New Instruments in De-marketing Strategies
- Participant.e Prof. Dorit Kluge (HWTK Berlin) |
- 13:30 - 14:00 | 30 minutes Partie de: Leisure as Heritage: Reconceptualizing Heritage and Leisure
- Paper
Sessions auxquelles Prof. Dorit Kluge assiste
12:30
12:30
- Welcome Coffee UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 12:30 - 17:30 | 5 heures
- Pause
- Registration UQAM, pavillon J.-A. De Sève (DS) - DS Main hall
- 12:30 - 17:30 | 5 heures
13:00
13:00
- Pre-Conference Tour: Old Montreal (2 groups) UQAM, pavillon J.-A. De Sève (DS) - DS Registration table (meeting point)
- 13:00 - 15:00 | 2 heures
- Tour
17:00
17:00
- Opening Ceremony and Cocktail
- Inscription req. Concordia, Grey Nuns Motherhouse (GN) - Former Chapel
- 17:00 - 19:30 | 2 heures 30 minutes
- Cocktail
19:30
19:30
- The Garden of the Grey Nuns / Le jardin des sœurs grises Concordia, Grey Nuns Motherhouse (GN) - GN 1210
- 19:30 - 21:00 | 1 heure 30 minutes
- Research-Creation
8:00
8:00
- Morning Coffee UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 8:00 - 10:00 | 2 heures
- Pause
9:00
9:00
- Keynote : What does heritage change? Le patrimoine, ça change quoi? (Lucie K. Morisset)
- Inscription req. UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 9:00 - 10:00 | 1 heure
- Keynote with simultaneous translation / Conférence avec traduction simultanée

10:30
10:30
- Break | Pause UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 10:30 - 11:00 | 30 minutes
- Pause
11:00
11:00
- Cultural Contestation: Politics and Governance of Heritage UQAM, pavillon J.-A. De Sève (DS) - DS-1950
- 11:00 - 17:00 | 6 heures
- Regular session
12:30
12:30
- Lunchboxes | Boîtes à lunch UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 12:30 - 13:30 | 1 heure
- Repas
13:30
13:30
- Heritage vs Ecology UQAM, pavillon J.-A. De Sève (DS) - DS-M540
- 13:30 - 17:00 | 3 heures 30 minutes
- Regular session
17:00
17:00
- Smoked meat in questions Bistro le Sanguinet - Bistro, étage principal et terrasse
- 17:00 - 18:00 | 1 heure
- Cocktail
18:30
18:30
- Keynote: Is Tangible to Intangible as Formal is to Informal ? (Michael Herzfeld)
- Inscription req. UQAM, pavillon Judith-Jasmin (J) - Salle Alfred-Laliberté
- 18:30 - 20:00 | 1 heure 30 minutes
- Keynote with simultaneous translation / Conférence avec traduction simultanée

7:00
7:00
- Canal: Walking the Post-Industrial Lachine Canal
- Inscription req. UQAM, pavillon J.-A. De Sève (DS) - DS Registration table (meeting point)
- 7:00 - 9:00 | 2 heures
- Tour
10:30
10:30
- Break | Pause UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 10:30 - 11:00 | 30 minutes
- Pause
12:30
12:30
- Lunchboxes | Boîtes à lunch UQAM, pavillon J.-A. De Sève (DS) - DS Ground Floor Hall
- 12:30 - 13:30 | 1 heure
- Repas
14:00
14:00
- Keynote: Renaming, Removal, Recontextualization of Heritage: Purging History, Claiming the Present, Imagining the Future? (What Change-Role for Heritage Professionals?) (James Count Early)
- Inscription req. Musée des Beaux-Ars de Montréal - Cummings Auditorium
- 14:00 - 15:30 | 1 heure 30 minutes
- Keynote with simultaneous translation / Conférence avec traduction simultanée

17:00
17:00
- ACHS 2016 General Assembly Concordia, John Molson School of Business Building (MB) - MB 1.210
- 17:00 - 18:30 | 1 heure 30 minutes
- Talk
7:00
7:00
- Morning Coffee Concordia, Engineering, Computer Science and Visual Arts Integrated Complex Building (EV) - EV Atrium
- 7:00 - 9:00 | 2 heures
- Pause
9:00
9:00
- Current Research III Concordia, John Molson School of Business Building (MB) - MB 1.301
- 9:00 - 12:30 | 3 heures 30 minutes
- Regular session
- Case Studies in Archaeology I Concordia, Engineering, Computer Science and Visual Arts Integrated Complex Building (EV) - EV 1.605
- 9:00 - 15:00 | 6 heures
- Regular session
10:30
10:30
- Break | Pause Concordia, John Molson School of Business Building (MB) - MB Atrium
- 10:30 - 11:00 | 30 minutes
- Pause
12:30
12:30
- Lunchboxes | Boîtes à lunch Concordia, Engineering, Computer Science and Visual Arts Integrated Complex Building (EV) - EV Atrium
- 12:30 - 13:30 | 1 heure
- Repas
13:30
13:30
- Co-Production in Heritage: Towards New Imaginaries. Part I: Co-Production in the Digital Environment Concordia, John Molson School of Business Building (MB) - MB 3.265
- 13:30 - 15:00 | 1 heure 30 minutes
- Regular session
15:00
15:00
- Break | Pause Concordia, John Molson School of Business Building (MB) - MB Atrium
- 15:00 - 15:30 | 30 minutes
- Pause
15:30
15:30
- Keynote: Il n'est de patrimoine qu'au futur...| Only in the future will it be heritage... (Xavier Greffe)
- Inscription req. Concordia, John Molson School of Business Building (MB) - MB 1.210
- 15:30 - 17:00 | 1 heure 30 minutes
- Keynote with simultaneous translation / Conférence avec traduction simultanée

7:00
7:00
- Morning Coffee Concordia, Engineering, Computer Science and Visual Arts Integrated Complex Building (EV) - EV Atrium
- 7:00 - 9:00 | 2 heures
- Pause
9:00
9:00
- Challenging a Discourse of Difference: Heritage in Asia and Europe Concordia, John Molson School of Business Building (MB) - MB 3.445
- 9:00 - 15:00 | 6 heures
- Regular session
- L'imaginaire paradoxal des villes occidentales: patrimoine, gentrification et résistances Concordia, John Molson School of Business Building (MB) - MB S1.430
- 9:00 - 12:30 | 3 heures 30 minutes
- Regular session
12:30
12:30
- Lunchboxes | Boîtes à lunch Concordia, Engineering, Computer Science and Visual Arts Integrated Complex Building (EV) - EV Atrium
- 12:30 - 13:30 | 1 heure
- Repas
15:00
15:00
- Break | Pause Concordia, John Molson School of Business Building (MB) - MB Atrium
- 15:00 - 15:30 | 30 minutes
- Pause
8:30
8:30
- Post-Conference Tour: À la découverte de Kahnawà :ke | Discovery of Kahnawà :ke UQAM, pavillon J.-A. De Sève (DS) - DS Registration table (meeting point)
- 8:30 - 17:30 | 9 heures
- Tour