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Ephemeral Sites of Critical Anti-modernism: Exploring the Tangible and Intangible Cultural Heritage of Experimental 1970s Eco-social Communities

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Quoi:
Regular session
Quand:
15:30, Mardi 7 Juin 2016 (1 heure 30 minutes)
Thèmes:
Heritage Changes the Local SocietiesIntangible HeritageArtsArchitecture and Urbanism
Mots-clés:
Heritage changes the local societiesheritage and mobilityPost-colonial heritageGlobal vs local
The 1970s witnessed a flourishing of living experiments in space, place and community sharing broad ambitions to bring about transformed human social and interpersonal conditions, to re-envision relationships between people and the environment and ecology of their habitats, and to reject a growing mainstream vision of people as passive consumers in favour of a role as creative and adventurous agents of their own destinies. While some expressions of these experiments were non-spatial or intended as temporary events, a significant number were manifest as buildings and communities. Spatial settings include places that can be loosely described as back to the land settlements (e.g. Drop City in Colorado), urban squatter sites and districts (Christiania in Denmark), intentional experimental communities (Centre for Environmental Technology, Wales), incremental community change clinics (Farallones Institute, California), and experimental and demonstration sites (Ark for Prince Edward Island, Canada; Granada TV House for the Future, UK).  These projects arose in milieux ranging from the outer fringes of the counterculture, through the Alternative Technology Movement, to government research institutes and commercial television network, and their intentions ranged from inwardly-oriented efforts at personal or small group enlightenment, through living experiments intended to demonstrate viability of alternative approaches, to public demonstrations seeking to transform societal expectations and norms. All share a critical spirit of “liberal anti-modernism,” defined by Ian McKay (1994) as  “an intensely individualistic thirst for an existence released from the iron cage of modernity into a world re-enchanted by history, nature and the mysterious.”
Some of these experiments remain in operation today (often in a transformed state), but many were transitory, and now abandoned. These sites offer potent challenges in the documentation, conservation and representation of cultural heritage, tangible and intangible. Heritage elements include the sites themselves, and the remnants of buildings, devices and equipment. Other artefacts and primary documents may remain on site, or may have been removed to official and informal archives. Important evidence is also available in the form of contemporary media coverage, self-publications and other public accounts. Because of the transient nature of these sites, important ephemeral heritage dimensions include personal journals, letters, photographs and films, along with oral history and lore. The conscious social experimentation means that the practices of governance, decision-making and daily life are often as significant as the artefacts and documents in the heritage value and legacy. These intangible cultural heritage dimensions extend to the vision, ethics and politics that informed and challenged the communities, along with the variations, inversions and refinements of their cultural practices over time. Many of these sites also have a body of local or international received tradition and myth—people know “of” these places, but know little for certain “about” these places. Often this received tradition is rooted in significant events or celebrations at the sites, or moments of interaction between the eco-social experimenters and the neighbouring communities; the events themselves, and the cultural memories associated with them, are another important heritage element.
For the present day, these sites offer important lessons worth retrieving and considering; lessons that might inform our efforts to move toward a sustainable future. This session invites presentations of case studies, theoretical considerations, and artistic and community projects that witness, document, assess, or carry forward the spirit and cultural heritage of such sites of eco-social experimentation. Presentations might address the challenge of documenting and representing the complex of tangible and intangible elements making up the legacy of such sites; track the life of these communities over time; explore the effects of the fluidity of both communities and their physical settings; recount the shifting outside perceptions of these eco-social experiments; or assess the rippling after-effects of these experiments on the world outside the closed community.

Prof. Steven Mannell

Modérateur.rice

Sous sessions

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The apocryphal story of architect-developer Al Boecke flying over Sonoma County in 1962 to spot the site for a new community development marks the beginning of the carefully cultivated story of the Sea Ranch project in Northern California as a retreat from the modern city and as a social experiment in alternative living. Sea Ranch inhabitants consider themselves pioneer settlers, treading lightly in an effort to preserve the untouched sanctity of the landscape. The architectural response i...

Nicole Lambrou

Participant.e

Eric Lum

Participant.e
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While national and international heritage processes during the second half of the twentieth century can be characterized as mostly hegemonic and expert-led, there are also notable counter-examples to be found in history. One such example is the “Dig Where You Stand” (Gräv där du står) movement in the 1970s and 1980s, named after a book published in 1978 by Swedish author, activist, and researcher Sven Lindqvist.  Inspired by the understanding that “History is dangerous. History is ...

15:30 - 16:00 | 30 minutes

The emergence of “Green” approaches to environmentally-conscious architecture in the 1970s reflects and responds to a number of then-current events, including the OPEC oil crisis of 1973, the international events and activism leading to the first “Earth Day” in 1970, the counterculture youth movements of the 1960s, and lingering fears of atomic destruction fed by the Cold War. Beneath these surface drivers lurk more long-standing cultural forces, including the tension between the modernist...

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